| Martinus Miroto | ... | Setio | |
| Eko Supriyanto | ... | Ludiro | |
| Artika Sari Devi | ... | Siti | |
| Retno Maruti | ... | Sukesi | |
| Jecko Siompo Pui | ... | Anom | |
| I. Nyoman Sura | ... | Sura | |
| Slamet Gundono | ... | Pewarte | |
| Wenang Nggiku | ... | Dukun Sumba | |
| Mugiyono | ... | Kusir Gerobak | |
| Sutanti Sudarso | ... | Ibu Tua | |
| Wahono | ... | Penembang Tua | |
| Sukiatno | ... | Tukang Daging Prapto | |
| Dahlan | ... | Srandul | |
| Pawiro Wagimin | ... | Srandul | |
| Subagyo | ... | Srandul | |
| Marto | ... | Srandul | |
| Bondan Nusantara | ... | Rodad 1 | |
| Giyatno Cermogundolo | ... | Rodad 2 | |
| Nursahid | ... | Trantib | |
| Sogiran | ... | Trantib | |
| Jiman | ... | Trantib | |
| Naryono | ... | Trantib | |
| Harjini | ... | Trantib |
Directed by | |||
| Garin Nugroho | |||
Writing credits(in alphabetical order) | ||
| Aramantono | ||
| Garin Nugroho | ||
Produced by | |||
| Simon Field | .... | executive producer | |
| Keith Griffiths | .... | executive producer | |
| Garin Nugroho | .... | producer | |
Original Music by | |||
| Rahayu Supanggah | |||
Cinematography by | |||
| Gay Hian Teoh | |||
Film Editing by | |||
| Andi Pulung Waluyo | |||
Production Design by | |||
| Nanang Rhamat | (as Nanang Rakhmat Hidayat) | ||
Sound Department | |||
| Pahlevi Indra C. Santoso | .... | sound | |
Other crew | |||
| Claire Viroulaud | .... | press attache | |
| Recent Posts (updated daily) | User |
|---|---|
| Rubbish - no little guys in hoods with glowing eyes to be seen! | gcunningham-5 |
| When is it gonna play wide in u.s?? | hanzy_boy |
| Release date | finlayson-m |
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| Dead Time: Kala | Devdas | Iron Man | Darwin's Nightmare | Random Harvest |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb Indonesia section |
First, I want to gently contradict one statement, often made of this film and repeated here. There ARE other movies like this. If you want to see a reasonable model of what Garin Nugroho has done, I would direct you to the work of Carlos Saura, especially "El Amor Brujo." But that being said, the stunning richness of this movie far eclipses Saura at his best. There are visuals both large and small, dances both grand and intimate, songs both poetic and profane, and story-telling elements both epic and contemporary. The frame shifts rapidly between modern and ancient, between emotional and refined, and on and on.
Now, permit me to ask a question of any Indonesian readers. Who was the intended audience for this film? I ask because I am far more familiar with Javanese culture than most Americans, but found the cultural references and symbolism far deeper than I could catch. It made me think that this was created for a strictly Indonesian and a predominantly artistic/intellectual audience. But with its extensive European connections, is that right? Did he create it for people like me, educated artsy types the world over?