| Photos (see all 22 | slideshow) | Videos (see all 11) |
| Garret Dillahunt | ... | Krug | |
| Michael Bowen | ... | Morton | |
| Joshua Cox | ... | Giles (as Josh Cox) | |
| Riki Lindhome | ... | Sadie | |
| Aaron Paul | ... | Francis | |
| Sara Paxton | ... | Mari Collingwood | |
| Monica Potter | ... | Emma Collingwood | |
| Tony Goldwyn | ... | John Collingwood | |
| Martha MacIsaac | ... | Paige | |
| Spencer Treat Clark | ... | Justin | |
| Usha Khan | ... | Maid |
Directed by | |||
| Dennis Iliadis | |||
Writing credits(WGA) | ||
| Adam Alleca | (screenplay) and | |
| Carl Ellsworth | (screenplay) | |
| Wes Craven | (earlier film) | |
Produced by | |||
| Greig Buckle | .... | line producer | |
| Jonathan Craven | .... | co-producer | |
| Wes Craven | .... | producer | |
| Sean S. Cunningham | .... | producer | |
| Ray Haboush | .... | executive producer | |
| Marianne Maddalena | .... | producer | |
| Bryan Thomas | .... | associate producer | |
| Cody Zwieg | .... | co-producer | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Sharone Meir | |||
Film Editing by | |||
| Peter McNulty | |||
Casting by | |||
| Scout Masterson | |||
| Nancy Nayor | |||
Production Design by | |||
| Johnny Breedt | |||
Art Direction by | |||
| Shira Hockman | |||
| Cecelia van Straaten | |||
Set Decoration by | |||
| Melinda Launspach | |||
Costume Design by | |||
| Katherine Jane Bryant | |||
Makeup Department | |||
| Talia Barak | .... | assistant makeup artist | |
| Gregory Nicotero | .... | special makeup effects producer | |
| Kerry Skelton | .... | makeup artist | |
| Simone Stubbs | .... | makeup artist | |
| Megan Tanner | .... | makeup department head | |
Production Management | |||
| Cellin Gluck | .... | production supervisor | |
| Andrew Rona | .... | executive in charge of production | |
| Marisa Soneman | .... | production manager | |
| Beetle Van Graan | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Shamiel Soni | .... | second second assistant director | |
Art Department | |||
| Nick Lauer | .... | construction manager | |
| David Wynne-Roberts | .... | scenic painter | |
Sound Department | |||
| Rick Ash | .... | supervising re-recording engineer | |
| Gregg Barbanell | .... | foley artist | |
| Kathleen Edwards | .... | additional adr assistant | |
| Gary Gegan | .... | sound re-recording mixer | |
| Sandy Gendler | .... | supervising adr & dialogue editor | |
| Jon Johnson | .... | supervising sound editor | |
| Miguel Rivera | .... | dialogue/adr editor | |
| Steve Schatz | .... | sound mixing recordist | |
| Brad Sokol | .... | first assistant sound editor | |
| Robert Troy | .... | dialogue editor | |
| Ben Wilkins | .... | sound editor | |
Visual Effects by | |||
| Davina Bilow | .... | digital compositor (as Davina Sanchez) | |
| Madalina Bland | .... | roto artist | |
| Daniel Brimer | .... | visual effects producer | |
| Michael Dean Connolly | .... | visual effects assistant | |
| Brandon Flyte | .... | digital compositor | |
| Jamison Scott Goei | .... | visual effects supervisor | |
| Chris Hopkins | .... | 3D visual effects artist | |
| Chris Hopkins | .... | digital compositor | |
| Maggie Kraisamutr | .... | digital compositor | |
| Mark Maccora | .... | digital compositor | |
| Melanie Miller | .... | visual effects coordinator: Rez-Illusion | |
| Sookie Park | .... | lead compositor | |
| Ahren Thomas | .... | digital compositor | |
| Sebastien Betsch | .... | digital painter (uncredited) | |
Stunts | |||
| Cordell McQueen | .... | stunt driver | |
Camera and Electrical Department | |||
| Trevor Michael Brown | .... | camera operator | |
| Richard Rolf | .... | Steadicam operator | |
| Lacey Terrell | .... | still photographer | |
Casting Department | |||
| Joe Cappelletti | .... | adr voice casting | |
| Trixze Smith | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Allison Leach | .... | assistant costume designer | |
| Neil McClean | .... | costume supervisor | |
Editorial Department | |||
| Travis J. Andersen | .... | post-production assistant | |
| Brendan Walsh | .... | first assistant editor | |
Music Department | |||
| Tyler Barton | .... | score recording engineer | |
| Nick Baxter | .... | scoring mixer | |
| Dick Bernstein | .... | temp music editor | |
| Gustavo Borner | .... | scoring mixer | |
| Stephen Coleman | .... | orchestrator | |
| Ed Gerrard | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Scott Somerville | .... | score engineer | |
Other crew | |||
| Billi Bruins | .... | production accountant | |
| Carol A. Compton | .... | script clearance | |
| Carly Feingold | .... | production executive | |
| Peter Grehan | .... | set armorer | |
| Alex Heineman | .... | production executive | |
| Grant Kilian | .... | production assistant | |
| Marie Krige | .... | payroll accountant | |
| Brett Levisohn | .... | epk director | |
| Alex Matcham | .... | production controller | |
| Matt McKinney | .... | assistant: producer | |
| Lance Peters | .... | key armorer | |
| Blake Reigle | .... | assistant: Mr. Cunningham | |
| Simon Rhodes | .... | assistant production coordinator | |
| Peggy Robinson | .... | production supervisor | |
| Andrew Rona | .... | studio executive | |
| Jill L. Smith | .... | legal services | |
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| Zeroka no onna: Akai wappa | Friday the 13th | Kataude mashin gâru | The Last House on the Left | The Devil's Rejects |
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I don't think I have to introduce people to the original Last House, the storyline here is the same. So a remake. They who have seen my reviews know that I'm not into remakes. Friday the 13th missing something, My Bloody Valentine had some I Know What You Did over it. The only remakes that were good so far were The Hills and Halloween. Well, add this one too. It clocks in over more than 90 minutes just like MBV, I watched my watch a lot when watching MBV, I never did watching this gem. This movie doesn't have any CGI, they go for brutality and straight horror. From the first 5 minutes you know what you will get. The first part is the humiliation of the two girls, the second part is the revenge, both coming straight to you, and the score helps too. The score does work here. All actors are believable. After having some rough movies from France I guess Hollywood has his lesson, here they proof that they are capable of making them too (without the help of French directors like The Hills). I was very surprised with this remake. Oh yeah, there is nudity but I doesn't distract you from the storyline as it did with MBV. A must have in your collection.