After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
After kidnapping, raping, and torturing two innocent teenage girls, a group of people seek refuge in the home of the parents of one of the victimized girls. When the parents find out what happened to their daughter, they plot and carry out revenge against those that hurt their daughter. Written by
In a March 12, 2009 Black Book interview, Sara Paxton revealed that the rape sequence took 17 hours to film. See more »
When Mari is swimming to get away, they are firing from the edge of the lake, she is swimming away from them. The final shot hits her on the shoulder. Later, after she is found by her parents, they show the bullet hole near the top of her shoulder, a wound that would have come from someone standing behind her, not at a near 90 degree angle to her back. A real shot at the angle depicted in the film at that location on her shoulder would have just entered and exited, creating a furrow instead of an actual hole with no exit wound. See more »
[telling joke to Giles]
So the next week, he's even hornier. And this time, he's got twenty bucks instead of ten. He goes back to the whorehouse, he slaps down the twenty, and tells the madam he needs to get off, but he ain't going to screw no goddamn chicken this time. She says it still ain't much, but she can help. She tells him to go to the room at the top of the stairs. This time there's just a bunch of guys jerking off, but one of the jerk off guys assures him "oh hey, it's ...
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Written by Graham Stuart Cassie, David Harper, Simon D. Harper, Tim Holmes, Richard Fearless (as Richard Maguire), Daniel Whitlock, John Yorke
Performed by Death In Vegas
Courtesy of Sony BMG Music Entertainment (UK) Limited
By Arrangement with Sony BMG Music Entertainment See more »
If you've ever read any of my other reviews you know how I feel personally about re-makes. Most horror fans feel the same way I do (yet we still watch these things!) so needless to say I went into this movie expecting to be disappointed. I was actually pleasantly surprised by how well this one was. Yes there are the usual cases of character name changes, scene and dialog changes and complete story line changes for no apparent reason but the basic premise that made the original film so creepy was somehow still retained. The major story line change in this one has been discussed in previous reviews and revolves around main character Mari (I won't reveal any major changes for the benefit of those who haven't seen it yet) and yes I was EXTREMELY disappointed with these changes but as I said I went into the film expecting to be let down so this helped to soften the blow. This version of "Last House on the Left" has a considerable amount of added gore sequences as well but they are not overly done or thrown in for no apparent reason other than shock value (as was the case in the unofficial 'Last House on the Left' re-make 'Chaos' directed by David DeFalco). Nowadays there really is no way to re-create the grainy, almost documentary like filming style of the original which is one of the main elements that added to the general feel of the film, but these filmmakers did an exceptional job of making the viewer curl in disgust at the actions of the villains and cheer and applaud the violence that befalls them. If you enjoyed the original you will most likely enjoy this one as well...just make sure you watch it and avoid the aforementioned "Chaos".
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