After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
While being transported by two detectives in a car, the dangerous criminal Krug is rescued by his brother Francis and his girlfriend Sadie, and they brutally kill the detectives. Meanwhile Emma, her husband Dr. John and their seventeen year-old daughter Mari Collingwood head on vacation to their house nearby the lake. Mari borrows the family car to meet her friend Paige that is working in a store in the town. They befriend the teenager Justin in the store and he offers some marijuana to the pothead Paige in the motel where he is lodged. While they are smoking grass in Justin's room, Krug, who is Justin's father, Francis and Sadie arrive and abducts the girls. Krug drives Mari's car and she provokes a crash on a tree. Krug stabs Paige and rapes Mari; however Mari manages to escape, swimming in the lake, but Krug shoots her in the back. They walk through the isolated road in the woods and they reach Collingwood's house telling that they have just had a car accident. Emma and John ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When John, a doctor, is giving Mari mouth-to-mouth resuscitation, he does not tilt her head back. See more »
[telling joke to Giles]
So the next week, he's even hornier. And this time, he's got twenty bucks instead of ten. He goes back to the whorehouse, he slaps down the twenty, and tells the madam he needs to get off, but he ain't going to screw no goddamn chicken this time. She says it still ain't much, but she can help. She tells him to go to the room at the top of the stairs. This time there's just a bunch of guys jerking off, but one of the jerk off guys assures him "oh hey, it's ...
[...] See more »
Catch Me If You Can
Written by Gym Class Heroes, Patrick Stump and Pete Wentz (as Peter Wentz)
Performed by Gym Class Heroes
Courtesy of Fueled By Ramen Decaydance / Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing / Epileptic Caesar / EMI Music Publishing (ASCAP) / Sony/ATV Songs LLC / Nervous Breakdance Music (BMI) / Sony/ATV Songs LLC / Chicago X Softcore Songs (BMI) See more »
Last House on the Left is a revenge flick sure, but it's also study on pure maternal instinct and revenge. It is also a remake of the 1972 film by Wes Craven, which in turn is a remake of the art film, Virgin Spring (1960) by Ingmar Bergman.
Two cute girls, teenagers are hanging out, find themselves in the wrong place at the wrong time when they go to the apartment of a boy named Justin (Spencer Treat Clark) to smoke some pot and chill out, when his family comes back who are wanted in the connection with some local murders. Now they can't let the girls go. From there things get steadily worse until the girls are left brutalized.
The convicts having driven out to the middle of nowhere find their way to a small cabin to recuperate, until the happy couple waiting for their daughter to bring the car home realize these are the men who hurt their daughter, and they aren't going to take it lying down.
In the feel of Hostel, extreme violence in retribution ensues, and that's pretty much the entire flick. You might recognize Garret Dillahunt who plays the lead baddie, Krug from the prime time series Terminator: The Sarah Connor Chronicles, Michael Bowen ("Lost", Magnolia, Jackie Brown), Joshua Cox ("Strong Medicine"), Sara Paxton as the daughter (Summerland), and Riki Lindhome as the friend (My Best Friend's Girl).
The pacing is strong, and somehow the film works a lot better than say a movie like Hostel for reason of solid directing, acting, and simple but effective script.
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