When Chloe (Kristen Dalton) and Michael Carpenter rent out the cottage behind their house to charming romance novelist, Robert Mars (David Arquette) their American dream soon turns into a suburban nightmare.
A group of friends stop to pick up a hitchhiking woman only to end up getting drugged by her with a gas. They awaken to find that vials have been implanted in the base of their skulls - ... See full summary »
Three strangers are trapped inside an elevator in an empty apartment building during a blackout. The asthmatic Claudia is traumatized with the accident with her beloved grandmother due to a moment of distraction. Karl is a widow doctor that loves his daughter. Tommy is a young man that has just accidentally killed the violent father of his girlfriend Francesca while protecting her and is planning to runaway to Paris with her. The tension of group escalates to a nightmare when one of the strangers shows that is a psychopath and sadistic serial-killer. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
From the needless prologue and the bewildering opening titles that follow, it's clear from the outset that this film doesn't have much potential. And, to confirm such fears, for not one minute of its 85 does this film offer one moment of suspense, one glimmer of shrewd writing, one ounce of meaningful plot development or a single second of entertainment.
The plot concerns three people who become trapped in a lift, and whilst trying to battle their way out, they soon begin battling each other. Unfortunately, not soon enough, as almost the entire film is spent flashing back through the characters' histories, building up completely pointless back-stories in the hope of an emotional climax that never comes to fruition.
Following the remarkably ridiculous serial-killer twist that finally emerges, one can't help wondering which is more painful: 20 hours in a lift with a madman, or an hour and a half in front of this trash. This film receives 1 star out of 10, and it's all for Amber Tamblyn the only actor that didn't make me want to smash my skull into the floor.
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