Thirteen-year-old Ernest Chin lives and works at a sleazy hourly-rate motel on a strip of desolate suburban bi-way. Misunderstood by his family and blindly careening into puberty, Ernest ... See full summary »
Adam Murphy - a real-estate hotshot and confirmed bachelor - feels the burn of failed love(s), when a social disease takes him face-to-face with a handful of one-night stands, revealing the shortcomings of his own image.
"West 32nd" takes the cameras inside New York's gritty Korean underworld. After hustling his way onto a homicide case, attorney John Kim (Cho) finds himself thrust into a sordid world of hard realities and moral compromises after he is taken under the wing of a ruthless Korean gangster who knows no limits. Written by
My wife and I drove up from DC to catch the premiere. We'd never been to an 'indie' film or been to a film festival, and so weren't quite sure what to expect. We left wishing we could stick around another day to watch it again.
The story itself is not unique, but the way it's applied and used to paint a larger picture most definitely is. The cost of assimilation, as well as the cost of failing to assimilate, are both presented in stark contrast. It's something that anyone who's ever lived in a culture outside of their own can relate to - not just Korean, or for that matter, Asian, immigrants.
The quality of production, acting and writing is all top notch, and not once during the film did I ever find it to be lesser than the hundreds of Hollywood flicks I've seen in my years. There's action, comedy, suspense, and all of it serves a purpose.
The only thing I'm finding myself regretting is that we didn't book a hotel and stick around for the second screening.
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