Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
Katie is trying to make it in the cutthroat world of modeling. When she innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into an ... See full summary »
Steven R. Monroe
When the Chase family moves to an isolated house in the middle of nowhere in Detroit, Arkin is hired to fix the windows and the doors. Later he meets his daughter and his wife that has a debt with dangerous sharks and needs money, but his week payment is not enough to pay her debts. Arkin plots to heist the safe of Michael Chase during the night to raise the necessary money. However, when he arrives in the house, he finds that a sadistic criminal has imprisoned the family and planted traps everywhere. Arkin seeks a way out of the deadly house to save his life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally set-up and financed by Dimension Films, "The Collector" was dropped by the cash-strapped studio after they didn't have the funds to release the film. Lidell Entertainment snatched up the rights from Dimension and gave the film a brief, but successful, theatrical run in 2009. See more »
When Arkin first breaks into the house, he uses lock pick tools. The straight flat one he inserts in the bottom and the jagged one on top. However the jagged edges are pointing downward and would not be able to click the tumblers. See more »
Special No Thanks - The guy who tried to blow up Joe's bar and whoever stole Karlak's watch See more »
I've read reviews off and on that dog this movie. I wonder sometimes if the people that dislike this movie so much, dislike the horror genre. If I were to rate a musical, I would probably give it a low score myself.
This movie is not perfect, but because the horror in it is done well enough, it is worthwhile to suspend some disbelief to go along with the ride. This isn't a PG-13 teen scare. People tote the term "torture-porn" I think because the killing is done is such an unapologetic, organized fashion. Every kill is planned and gruesome. In the horror genre, what actually is wrong with that?
While Rob Zombie and others are destroying monsters (Zombie basically killed the icon of Michael Myers) by humanizing them too much, it is refreshing to have a new killer killing for killing-sake. Isn't that worth a ride (assuming you are into horror)?
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