| Photos (See all 31 | slideshow) | Videos (see all 11) |
| Rachel Weisz | ... | Penelope | |
| Adrien Brody | ... | Bloom | |
| Mark Ruffalo | ... | Stephen | |
| Rinko Kikuchi | ... | Bang Bang | |
| Robbie Coltrane | ... | Curator | |
| Maximilian Schell | ... | Diamond Dog | |
| Ricky Jay | ... | Narrator (voice) | |
| Zachary Gordon | ... | Young Bloom | |
| Max Records | ... | Young Stephen | |
| Andy Nyman | ... | Charleston | |
| Noah Segan | ... | The Duke | |
| Nora Zehetner | ... | Rose | |
| Ram Bergman | ... | Himself | |
| Craig Johnson | ... | Apple Cart Vendor | |
| Dubravko Jovanovic | ... | Albino | |
| Esme Tyler | ... | Young Girl | |
| Jovan Vitas | ... | Young Boy | |
| Ana Sofrenovic | ... | Charleston's Wife | |
| Vladimír Kulhavý | ... | Chief of Police | |
| Alek Rodic | ... | Snack Car Attendant | |
| Josif Tatic | ... | Oafish Foster Father | |
| Slobodan Custic | ... | Foster Dad | |
| Branka Pujic | ... | Foster Mom | |
| George Bocchetti | ... | Excited Boy | |
| Ellis Derham | ... | Excited Boy | |
| rest of cast listed alphabetically: | |||
| Didier Dell Benjamin | ... | Party Guest (uncredited) | |
| Joseph Gordon-Levitt | ... | Bar Patron (uncredited) | |
| Lukas Haas | ... | Bar Patron (uncredited) | |
| Stefan Kapicic | ... | German Bar Owner (uncredited) | |
Directed by | |||
| Rian Johnson | |||
Writing credits(WGA) | ||
| Rian Johnson | (written by) | |
Produced by | |||
| Ram Bergman | .... | producer | |
| Matthew J. Birch | .... | co-producer | |
| Douglas Hansen | .... | executive producer (as Douglas E. Hansen) | |
| Wendy Japhet | .... | executive producer | |
| Tom Karnowski | .... | co-producer | |
| James D. Stern | .... | producer | |
Original Music by | |||
| Nathan Johnson | |||
Cinematography by | |||
| Steve Yedlin | (director of photography) | ||
Film Editing by | |||
| Gabriel Wrye | |||
Casting by | |||
| Shannon Makhanian | |||
| Mary Vernieu | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Jasna Dragovic | |||
| Paul Kirby | (supervising art director) | ||
Set Decoration by | |||
| Sophie Newman | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Production Management | |||
| Luka Dejanovic | .... | assistant unit manager | |
| Vaclav Eisenhamer | .... | unit production manager: Czech Republic | |
| Maja Gardinovacki | .... | unit manager | |
| Philip Harrelson | .... | post-production supervisor | |
| Ales Komárek | .... | production supervisor: Czech Republic | |
| Uri Mossinsohn | .... | unit production manager: Romania | |
| Richard Sharkey | .... | unit production manager | |
| Andjelija Vlaisavljevic | .... | production manager: Serbia & Montenegro | |
| Elena Zokas | .... | unit production manager | |
| Marko Crnogorac | .... | assistant unit manager (uncredited) | |
Special Effects by | |||
| Iulian Florian | .... | assistant special effects coordinator: Romania (as Florian Iulian) | |
| Milica Popovic | .... | model maker | |
| Mihai Reti | .... | special effects coordinator: Romania | |
| Rudolf Tudzaroff | .... | special effects technician: Czech Republic | |
| Kevin Draycott | .... | special effects foreman (uncredited) | |
| Muhamed M'Barek | .... | special effects technician (uncredited) | |
| Mark Meddings | .... | special effects supervisor (uncredited) | |
| Grant Rogan | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Renee Aldredge | .... | drs operator: Modern VideoFilm | |
| Hunter Athey | .... | animator: Stingray VFX | |
| Johnathan R. Banta | .... | model/texture artist: Stingray VFX (as Jonathan Banta) | |
| Roger Ames Berger | .... | additional visual effects: Modern VideoFilm | |
| Roger Ames Berger | .... | iq artist: Modern VideofFlm | |
| Derek Bourque | .... | visual effects compositor | |
| Chadd B. Cole | .... | iq artist: Modern VideoFilm (as Chad Cole) | |
| Steve Cummings | .... | cg supervisor: Stingray VFX | |
| Thomas Dadras | .... | technical director: Stingray VFX | |
| Enid Dalkoff | .... | compositor: Stingray VFX | |
| Charles Ellison | .... | model/texture artist: Stingray VFX | |
| Kent Estep | .... | digital effects supervisor: Stingray VFX | |
| Kristopher Gregg | .... | digital imaging: Modern Videofilm (as Kris Gregg) | |
| Nancy Hyland | .... | compositor: Stingray VFX | |
| Alex Jackson | .... | model/texture artist: Stingray VFX | |
| Pency Kinnard | .... | compositor: Stingray VFX | |
| Casey Leming | .... | electronic graphics: Modern Videofilm (as Casey C. Leming) | |
| Michael Maker | .... | tracking/integration: Stingray VFX | |
| Shira Mandel | .... | compositor: Stingray VFX | |
| Charlene Mason | .... | tracking/integration: Stingray VFX | |
| Dave McCarthy | .... | drs operator: Modern VideoFilm | |
| Nicole Montemayor | .... | visual effects coordinator: Stingray VFX | |
| Kevin Moseley | .... | compositing supervisor: Stingray VFX | |
| Andrew Mumford | .... | compositor: Stingray VFX | |
| Gerald Reed | .... | visual effects compositor | |
| Gerald Reid | .... | visual effects compositor | |
| Jonathan Robinson | .... | compositor: Stingray VFX | |
| Ira Shain | .... | animator: Stingray VFX | |
| Ron Simonson | .... | visual effects supervisor | |
| Ed Thompson | .... | digital imaging: Modern VideoFilm | |
| Sarma Vanguri | .... | technical director: Stingray VFX | |
| Steve Yedlin | .... | additional visual effects: Modern VideoFilm | |
| Pouya Zadrafiei | .... | model/texture artist: Stingray VFX | |
| Veronika Lerchová | .... | digital dailies: UPP (uncredited) | |
Stunts | |||
| Milan Alavanja | .... | stunts | |
| Milkica Bozic | .... | stunts | |
| Marius Camilieri | .... | stunts | |
| Ciprian Dumitrascu | .... | stunt coordinator: Romania | |
| Luminita Filimon | .... | stunts: Romania | |
| Branislav Fistric | .... | stunts | |
| Marius Florian | .... | stunts: Romania (as Silviu Marius Florian) | |
| Mihai Iliescu | .... | stunts: Romania | |
| Slavisa Ivanovic | .... | assistant stunt coordinator | |
| Slavisa Ivanovic | .... | stunt player | |
| Ladislav Lahoda | .... | stunt coordinator: Czech Republic | |
| Nevena Manojlovic | .... | stunts | |
| Glenn Marks | .... | stunt coordinator | |
| Dusan Savcic | .... | stunts | |
| Claudiu Marian Sebastian | .... | stunts: Romania | |
| Nebojsa Simic | .... | stunts | |
| Nicolae Stoica | .... | stunts: Romania (as Nicu Stoica) | |
| Zeljka Vaseljevic | .... | stunts | |
| Miroslav Vuckovic | .... | stunts | |
| Gabi Burlacu | .... | stunts (uncredited) | |
Casting Department | |||
| Jessica Horáthová | .... | extras casting: Czech Republic | |
| Mirka Hyzíková | .... | casting: Czech Republic (as Mirka Hysikova) | |
| Slobodan Ivetic | .... | extras casting | |
| Florin Kevorkian | .... | casting: Romania | |
| Dasa Loncarevic | .... | assistant casting director: Serbia | |
| Angelina Marinkovic | .... | casting director: Serbia | |
| Zorana Popovic | .... | assistant casting director: Serbia | |
| Andrei Rusu | .... | extras casting coordinator: Romania | |
| Slava Vulanovic | .... | extras casting | |
Costume and Wardrobe Department | |||
| Momirka Bailovic | .... | set costumer: Mr. Brody | |
| Marie Charvatova | .... | wardrobe assistant: Czech Republic | |
| Katarina Ciglic | .... | set costumer: Ms. Kikuchi | |
| Krisztina Ignjatovic | .... | wardrobe assistant (as Kristina Ignjatovic) | |
| Marija Maslakovic | .... | set costumer: Ms. Weisz | |
| Mira Milovanovic | .... | wardrobe assistant | |
| Vera Mirová | .... | wardrobe supervisor: Czech Republic | |
| Jasmina Peric | .... | wardrobe assistant | |
| Stefan Savkovic | .... | set costumer: Mr. Ruffalo | |
| Alexis Scott | .... | assistant costume designer | |
| Vesna Tasic | .... | wardrobe assistant | |
Editorial Department | |||
| Joe Aliberto | .... | digital intermediate scanner | |
| Cameron Arguelles | .... | positive assembler | |
| Lawles Bourque | .... | on-line editor | |
| Elona Culwell | .... | digital intermediate coordinator | |
| Tyler Dixon | .... | on-line editor | |
| Ashley Fabre | .... | post-production coordinator (as Ashley Wilks Day) | |
| Janó Fekete | .... | colorist: dailies | |
| Bob Fredrickson | .... | color timer | |
| Skip Kimball | .... | digital intermediate colorist | |
| Zara Park | .... | digital intermediate post supervisor (as Zara Roberts) | |
| Pat Repola | .... | vice president feature post: Modern VideoFilm | |
| Enrique Rodriguez | .... | assistant editor | |
| Kevin Shaw | .... | colorist: preview | |
| Bryan Park | .... | digital intermediate film editorial (uncredited) | |
Music Department | |||
| Ben Dean | .... | musician: violin | |
| Drew DeAscentis | .... | music editor | |
| Brendan Dekora | .... | assistant engineer | |
| Greg DiCrosta | .... | assistant engineer | |
| Paul Dugre | .... | music recordist: strings (as Paul du Gre) | |
| Shannon Erbe | .... | music editor: temp | |
| Aaron Esposito | .... | musician: trumpets | |
| Jared Gellar | .... | musician: bar accordion | |
| Joseph Gordon-Levitt | .... | musician: bar singer | |
| Matthew Guza | .... | musician: drums, washboard | |
| Marla Hansen | .... | musician: viola | |
| Max Heath | .... | musician: melodica | |
| Junius Johnson | .... | musician: french horn | |
| Nathan Johnson | .... | music producer | |
| Nathan Johnson | .... | musician: electric guitar, bass, marxophone, pripared piano, glockenspill | |
| Nathan Johnson | .... | score arranger | |
| Nathan Johnson | .... | score editor | |
| Zachary Johnson | .... | musician: drums | |
| China Kent | .... | musician: upright & grand pianos, werlitzer | |
| Seth Kent | .... | assistant engineer | |
| Kristina Kovac | .... | additional music recordist: Serbia | |
| Abbie Lister | .... | additional music clearances: Hothouse | |
| Nick Lloyd | .... | musician: hammond, mellotron, piano | |
| Nick Lloyd | .... | score recordist | |
| Michael Maloney | .... | additional music recordist | |
| Chris Mears | .... | musician: jazzmaster, drums, percussion, wine-o phone, pripared piano | |
| Jill Meyers | .... | music clearance | |
| Roger Neill | .... | music arranger: strings | |
| Roger Neill | .... | orchestrator | |
| Brian Reitzell | .... | music supervisor | |
| Jonny Rogers | .... | musician: acoustic, electric & classical guitar | |
| Julie Sessing | .... | additional music clearance: Sessing Music Services | |
| Alex Spiegelman | .... | musician: clarinet, flute | |
| Eric Stephenson | .... | musician: cellos | |
| Tim Sway | .... | musician: basses | |
| Carl Testa | .... | musician: bass clarinet | |
| Frank Wolf | .... | score mixer | |
Thanks | |||
| Angela Bettis | .... | thanks | |
| Dan Chariton | .... | we are especially grateful to | |
| Stacy Chariton | .... | we are especially grateful to | |
| Tom Cruise | .... | thanks | |
| Tara Holland | .... | thanks | |
| Daniel Lewis | .... | special thanks | |
| Lucky McKee | .... | thanks | |
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| Big Fish | Mr. & Mrs. Smith | City of God | Grosse Pointe Blank | Pineapple Express |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
While the complete polar opposite of Brick, Johnson left the Dashiell Hammett prose and instead decided to delve into Wes Anderson territory. His The Brothers Bloom is a smart, witty adventure that takes some unexpected turns on its journey, never lets a detail fall into obscurity, and shows that if nothing else, he is a high caliber storyteller that should be around for a long time, not rehashing the same thing over and over again, but churning out refreshingly new and unique yarns to entertain and enlighten.
This tale is about a duo of con menthe best in the worldwho reunite to do one last job. The younger, Bloom, has been playing the roles written by Stephen since they were children, always embodying the character so easily because it allowed him to be that which was not himself. After having fallen in love with too many marks, only to watch as they swindled and left them out to dry, Bloom is ready to quit and goes into self-imposed exile for three years until his partner finds him and rounds him up for one last big score. That score involves an eccentric shut-in, a woman who has never left her mansion and collects hobbies in order to entertain herself. A master with a deck of cards, juggler extraordinaire, harp player, and ping-pong champ, amongst other activities, there is little she does not know. This epileptic photographer is anxious to go off on an adventure and opening up to the Brothers Bloom is her perfect opportunity to do so, and their best chance at an easy million dollars.
What the men did not account for was her inexhaustible sense of enthusiasm and uncanny knack for the con game. Getting herself out of situations that the brothers can't even fathom and catching on to things so quickly, it's as though the mark becomes the professional, however, that is exactly Stephen's plan. She is a woman of intelligence, beauty, and unique without compare. Penelope is exactly the girl that Bloom has been looking for, but of course, she is discovered in one of Stephen's stories, accessible only until they must cut her loose. Yet, here comes the first "what if" of the film. What if our orchestrator has concocted this all for Bloom, a con on a grand scale in order to give him the life he always wanted? Bloom does say that Penelope feels just like one of Stephen's characters, but as he says in his defense, "the day I con you, is the day I die." We can only hope those words don't become prophetically true.
Johnson weaves an intricate shell game for his characters to roam through, crossing paths, discovering secrets, telling lies, and possibly conning each other. No one truly can tell what's real because not only are they unsure themselves, they know that every one of them has the potential to make-up an elaborate scheme to confuse and manipulate. Ruffalo is the true artist at this game, crudely drawing up a plan of attack in brainstorm bubble trees, thinly veiling his tales with inside jokes that a woman like Penelope (Weisz) is well-informed enough to see through, yet too naïve to put together. Straight from the start, a childhood narrated by Ricky Jay, these boys have gotten what they wanted and planned to perfection. Trained by the nefarious Diamond Dog, the men, (Brody portraying the other, Bloom), have eclipsed their master and took the world by storm. Along with their pyrotechnics guru Bang Bang, (Rinko Kikuchi) and a select cast of regular actors (Robbie Coltrane as the Belgian and a great string of cameos in a bar scene early on with Nora Zehetner, Noah Segan, and a blink-and-you'll-miss-him Joseph Gordon Levitt all showing some Brick love), the boys always get what they want. Ultimately attempting to create the perfect conso well planned out and airtight that it happens all by itselfthis con becomes reality and everyone gets exactly what they wanted.
The Brothers Bloom is told in a storybook fashion with bright colors and in-focus frames. Johnson jam-packs each composition with detail upon detail, never shying away from having an important plot point occur in the background, behind a conversation or action by our leads at the forefront. Most times they are jokes, lending some levity to the situation, one that becomes ever more dark as the charade goes along; unexpectedly dark, yet perfectly so. His use of humor infuses a heart into the proceedings and a true bond and relationship between Stephen and Bloom, two men that learn to hate each other at the end of a job, but always come to the others help when needed at the start. You must be diligent to the environment surrounding our actors, as it is just as much playing a role as they, helping a truly bold and intricate story be disguised as a simple one. Very slight on first appearance, it is the fact that it's so well told that makes it seem simpler than it really is. Without any bloated superfluities or weakly handled tangents, this tightly woven tapestry lives on its own at a breakneck speed, culminating with a spectacular final twist, an end that had been building up right from the start in that bourgeois playground during the boys' foster home placement. The Brothers Bloom look out for each other and never let the other down, no matter what damage it may cause to themselves. In the end, they do it all for their brother, anything they can to make the other's life a success.