The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
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Brothers - older Stephen and three years junior Bloom - have been con artists since they were kids. Stephen is the mastermind, for who the intricacy of the story used in the con is as important as the positive outcome of the swindle. Bloom is the main character of Stephen's stories, the character he considers the anti-hero. As adults, they travel the world and never enlist the same people twice in their cons, except for their consistent sidekick, the mysterious and primarily silent Bang Bang, a Japanese woman who just appeared in their lives one day and who has a penchant for blowing things up. As Bloom hits his mid-thirties, he wants to quit the business as he is losing his own identity to that of the characters he portrays; he doesn't know anymore what is real and what is make-believe. Stephen talks him into one last con, the mark to be the eccentric, lonely but beautiful New Jersey heiress, Penelope Stamp. Penelope's primary past-time in life is to, as she calls it, "borrow hobbies... Written by
Rachel Weisz learned how to play piano, violin, accordion, and break-dance, to juggle, do karate, play Ping-Pong, banjo, unicycle, and even skateboard for her role as Penelope. See more »
When the Brothers Bloom first visit Penelope's castle, they are driving a Cadillac Seville. Bloom asks Bang Bang, "This a '78 Caddy? Controversial choice." The car is actually a 1983 Seville, whose bodystyle was built from 1980-1985. See more »
As far as con man stories go, I think I've heard them all. Of grifters, ropers, faro-fixers; tails drawn long and tall. But if one bears a bookmark in the confidence man's tome, it would be that of Penelope, and of the brothers Bloom.
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Rachel's role, Penelope, in The Brothers Bloom is far from her Oscar-winning effort in The Constant Gardener, but she elevates her role putting herself on par with Tessa Quale. Weisz steals the show here in a fun, energetic, elaborate tale, The Brothers Bloom.
You'll be bouncing out of you seats watching this film. The script is absolutely hilarious, the director moves fast keeping the material alive, and the performances are classy and strong, but what guides The Brothers Bloom (besides Weisz, of course) is the explosive editing. It's hyperactive, but not obnoxious. It's cool , fun and hip.
Like I've stated before, Weisz steals the show. Her character Penelope is one of the most memorable and well-written characters in recent memory and Weisz is up to the challenge of taking on that role. She's the most interesting character so you immediately take a liking to her. She's so adorable as the bright, lovely character, but the great thing about her performance is underneath all that lies great sorrow.
The rest of the performances aren't too shabby either. Adrien Brody is very good and convincing but it over-towered, by the other more colorful characters. Mark Ruffalo is charming and a ridiculous ball of fun. Rinko Kikuchi has almost no lines, but still gets big laughs.
There are dazzling visuals including some gorgeous costumes and set designs. This is a very funny film. Top that with the amount of energy and entertainment throughout, you're in a for a fantastic thrill ride. Not to mention the glorious performances, especially form the magnificent Rachel Weisz. A delightful thrill ride and the best comedy of 2009; 9
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