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Paranoid Park (2007)

6.7
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Ratings: 6.7/10 from 22,808 users   Metascore: 83/100
Reviews: 101 user | 182 critic | 27 from Metacritic.com

A teenage skateboarder's life begins to fray after he is involved in the accidental death of a security guard.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
Gabe Nevins ...
Daniel Liu ...
Detective Richard Lu (as Dan Liu)
Jake Miller ...
Jared
...
Lauren McKinney ...
Scott Patrick Green ...
Scratch (as Scott Green)
John Michael Burrowes ...
Security Guard (as John 'Mike' Burrowes)
Grace Carter ...
Alex's Mom
Jay 'Smay' Williamson ...
Alex's Dad
Christopher Doyle ...
Uncle Tommy
Dillon Hines ...
Henry
Emma Nevins ...
Paisley
Brad Peterson ...
Jolt
Winfield Jackson ...
Christian (as Winfield Henry Jackson)
Joe Schweitzer ...
Paul
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Storyline

The teenager and skateboarder Alex is interviewed by Detective Richard Lu that is investigating the death of a security guard in the rail yards severed by a train who was apparently hit by a skate board. While dealing with the separation process of his parents and the sexual heat of his virgin girlfriend Jennifer, Alex writes his last experiences in Paranoid Park with his new acquaintances and how the guard was killed, trying to relieve his feeling of guilty from his conscience. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for some disturbing images, language and sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

Release Date:

24 October 2007 (France)  »

Also Known As:

Crimen oculto  »

Box Office

Opening Weekend:

$29,828 (USA) (7 March 2008)

Gross:

$486,021 (USA) (6 June 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Gus Van Sant:  Makes an appearance in the coffee shop scene, reading a newspaper. See more »

Goofs

When Alex goes to Rebel Skates he gets a board with white wheels. Later after the scene where Alex and Jennifer discusses to buy condoms, the board Alex carries is a different board with green wheels. Later he has the board with white wheels again. See more »

Quotes

[first lines]
Alex: Oh. Hey Uncle Tommy.
Uncle Tommy: Hey.
See more »

Connections

References Frankenstein (1931) See more »

Soundtracks

Rugiada Sui Ranocchi
from Juliet of the Spirits (1965)
Written by Nino Rota
Conducted by Carlo Savina
Courtesy of C.A.M. S.r.l. (p) 1965 C.A.M. S.r.l.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
skateboarder by way of Camus's the Stranger (in mood if not in total story likeness)
20 March 2008 | by (United States) – See all my reviews

Gus Van Sant's latest films have been some of the most idiosyncratic not just of his career but of independent film in America since 2000. He's jumped ship, momentarily, from the Hollywood machine (To Die For, Good Will Hunting, Finding Forrester) and made films like Gerry, Elephant and Last Days as sort of poetic essays on film (yes, very pretentious, but they are poetic at least). His latest, Paranoid Park, at least could be called as something more of a story-driven narrative than any of the others, but it's still with a lyrical beat, driven by a mix-and-match of 8mm skateboarding footage and the malaise of a teen caught in that very recognizable, almost atypical state of mind at that age. Only here, it's probably more of a quiet, detached malaise that has within it a soul that is being sort of killed away piece by piece by the secret he holds.

The teen is Alex (first timer Gabe Nevins), who was mostly responsible for the (very) grisly death of a security guard while he and a not-quite acquaintance from Paranoid Park's skating scene were riding carelessly along a slow-moving train. He shut it out of his mind, or tried to, until a police officer examining the case brought in photos of the deceased in a Q & A with all of the skaters at high school. This, pretty much, is the bedrock of the story, but aside from this it's the 'something' that is the story. The rest of the film shows this kid in a state of peril, but not of the sort that makes us think this is an immediate existential crisis. He feigns interest in a girlfriend (ditzy Jennifer played by Taylor Momsen), hangs out with his skater friends like Jared (also first-timer Jake Miller), and writes in a journal with a narration that's a mix of detached Travis Bickle and, well, awkward teen.

What interested me was a mood I found Van Sant, intentionally or otherwise, was working with. I kept thinking back to a work like Camus's the Stranger, which had its 'hero' Mersault as a figure who wasn't exactly passionate and just a few heart beats above dead fish. There's something in this kids eyes, in his lack of reaction and in those long moments right after the train track scene as he is under the shower faucet in slow-motion. Actually, there's a lot of slow-motion, sometimes of walking, or ruminating, and as it builds with the narration and the mix of stark and experimental cinematography from the great Christopher Doyle (great at, you know, these kinds of art-house films), as part of Van Sant's method of character study.

Alex's inability to connect, with friends, parents, authority figures, even his own impulse to release his inner thoughts, however brief and to the point ("I'm not much of a creative writer," Alex admits), is what is meant to absorb the viewer into Paranoid Park. For Van Sant, no matter what the excesses of the light touches of music (mostly from Nino Rota and Elliot Smith), or the slow-motion skateboarding (which I could go either way on as a casual admirer of the sport), or the bits that seem to have not much to do with anything aside from following a character in the midst of some thought (i.e. Alex on an escalator), it works as a feat of art for expressing its character, in the relatively short running time, like no other filmmaker would. It's somewhat challenging, but one that's worth taking for glimpses into a state of mind akin to the sobering existential and, more startling, the lack-of-coming-of-age to the character. 8.5/10


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