| Photos (See all 73 | slideshow) | Videos (see all 26) |
| Julianne Moore | ... | Jules | |
| Annette Bening | ... | Nic | |
| Mark Ruffalo | ... | Paul | |
| Mia Wasikowska | ... | Joni | |
| Josh Hutcherson | ... | Laser | |
| Yaya Alafia | ... | Tanya (as Yaya Dacosta) | |
| Kunal Sharma | ... | Jai | |
| Eddie Hassell | ... | Clay | |
| Zosia Mamet | ... | Sasha | |
| Joaquín Garrido | ... | Luis | |
| Rebecca Lawrence Levy | ... | Brooke (as Rebecca Lawrence) | |
| Lisa Eisner | ... | Stella | |
| Eric Eisner | ... | Joel | |
| Sasha Spielberg | ... | Waify Girl | |
| James MacDonald | ... | Clay's Dad (as James Macdonald) | |
| Margo Victor | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| Stuart Blumberg | ... | Sous-chef (uncredited) | |
| Diego Calderón | ... | Waiter (uncredited) | |
Directed by | |||
| Lisa Cholodenko | |||
Writing credits(WGA) | ||
| Lisa Cholodenko | (written by) & | |
| Stuart Blumberg | (written by) | |
Produced by | |||
| Charles E. Bush Jr. | .... | co-producer | |
| Gary Gilbert | .... | producer | |
| J. Todd Harris | .... | executive producer | |
| Philippe Hellmann | .... | producer: UGC PH | |
| Jordan Horowitz | .... | producer | |
| Neil Katz | .... | executive producer | |
| Todd J. Labarowski | .... | co-producer (as Todd Labarowski) | |
| Jeffrey Levy-Hinte | .... | producer | |
| Riva Marker | .... | executive producer | |
| Camille Moreau | .... | producer: UGC PH | |
| Joel Newton | .... | co-producer | |
| Anne O'Shea | .... | executive producer | |
| Celine Rattray | .... | producer | |
| Laura Rosenthal | .... | co-producer | |
| Andy Sawyer | .... | executive producer (as Andrew Sawyer) | |
| Steven Saxton | .... | executive producer | |
| Christy Scott Cashman | .... | executive producer (as Christy Cashman) | |
| Ron Stein | .... | executive producer | |
| Bergen Swanson | .... | co-producer | |
| Daniela Taplin Lundberg | .... | producer | |
| Galt Niederhoffer | .... | executive producer (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Igor Jadue-Lillo | (director of photography) | ||
Film Editing by | |||
| Jeffrey M. Werner | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Julie Berghoff | |||
Art Direction by | |||
| James Connelly | (as James Pearse Connelly) | ||
Set Decoration by | |||
| David Cook | |||
Costume Design by | |||
| Mary Claire Hannan | |||
Makeup Department | |||
| Carl Bailey | .... | key hair stylist | |
| Cydney Cornell | .... | hair department head | |
| Daniel Curet | .... | key hair stylist | |
| Jason Green | .... | hair stylist (as Jason Orion Green) | |
| Valli O'Reilly | .... | co-makeup department head | |
| Elaine L. Offers | .... | co-makeup department head (as Elaine Offers) | |
| Ronnie Specter | .... | makeup artist | |
| Valli O'Reilly | .... | personal makeup artist: Annette Bening (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jasmine Alhambra | .... | second assistant director (as Jasmine Marie Alhambra) | |
| Emily Hogan | .... | second second assistant director | |
| Jesse Nye | .... | first assistant director | |
Art Department | |||
| Leonardo Coleman | .... | set dresser | |
| Colman Costello | .... | set dresser | |
| James A. Costello | .... | leadman | |
| Chris Dinan | .... | set dresser (as Christopher W.J. Dinan) | |
| Josh Ian Elliott | .... | on-set dresser (as Josh Elliott) | |
| Christine Eyer | .... | greens person | |
| April Falzone | .... | food stylist | |
| Morgan Gillio | .... | set dresser | |
| Craig Glenn | .... | assistant props | |
| Gregory Holley | .... | assistant props (as Greg Holley) | |
| Karen Lee Holley | .... | assistant propmaster (as Karen Holley) | |
| Katia Kaplun | .... | stand-by painter | |
| Stephen Kelley Jr. | .... | set dresser (as Steve Kelley Jr.) | |
| Martin Leon | .... | set dresser (as Martin Carrasco Leon) | |
| Greg Manke | .... | set dresser | |
| Jeffrey M. O'Brien | .... | propmaster | |
| Cindy Peters | .... | art department coordinator | |
| John Stone | .... | set dresser | |
| Lisa Matsuura Walker | .... | painter | |
| Alexandra Dunn | .... | art department assistant (uncredited) | |
| Eric Schoonover | .... | set dresser (uncredited) | |
Sound Department | |||
| Eric Bautista | .... | utility sound (as Eric A. Bautista) | |
| Jonathan Fuh | .... | boom operator (as Jonathan Lee-Ger Fuh) | |
| Frank Gaeta | .... | sound designer | |
| Frank Gaeta | .... | sound re-recording mixer | |
| Frank Gaeta | .... | sound supervisor | |
| José Antonio García | .... | sound mixer (as Jose Antonio Garcia) | |
| Patrick Giraudi | .... | sound re-recording mixer (as Patrick Giuraudi) | |
| Catherine Harper | .... | foley artist | |
| Joe Iemola | .... | sound editor | |
| Micah Littleton | .... | sound services manager: Video Film Audio Forensics | |
| Darrin Mann | .... | foley recordist | |
| Christopher Moriana | .... | foley artist (as Chris Morianna) | |
| Trevor Ward | .... | sound consultant: Dolby | |
| Elmo Weber | .... | sound designer | |
| Elmo Weber | .... | sound re-recording mixer | |
| Elmo Weber | .... | sound supervisor | |
| Eric Gitelson | .... | adr engineer (uncredited) | |
| Matthew Kallen | .... | sound mix technician (uncredited) | |
| Sean Madsen | .... | sound recordist (uncredited) | |
| Jeff Seelye | .... | adr assistant (uncredited) | |
Special Effects by | |||
| Neil Smith | .... | special effects technician | |
Visual Effects by | |||
| Floyd Burks | .... | imaging technician: Technicolor Digital Intermediates | |
| Charlotta Forssman | .... | visual effects compositor: + Scale | |
| Don Henry | .... | data technician: Technicolor Digital Intermediates | |
| Tim Heugle | .... | data technician: Technicolor Digital Intermediates (as Tim Heugele) | |
| Mark Hubbard | .... | engineering: Technicolor Digital Internediates | |
| Sung Kyu Koo | .... | visual effects compositor: + Scale | |
| Marcus Lansdell | .... | executive producer: + Scale | |
| Joshua Pines | .... | imaging r&d: Technicolor Digital Intermediates | |
| Todd Sines | .... | lead visual effects compositor: + Scale | |
| Brad Sutton | .... | digital restoration: Technicolor Digital Intermediates | |
| Wilson Tang | .... | digital restoration: Technicolor Digital Intermediates | |
Stunts | |||
| Darrell Davis | .... | stunt rigger (as Darrell Craig Davis) | |
| Sean Graham | .... | stunt double: Mark Ruffalo | |
| Cassidy Hice | .... | stunts | |
| Mark Norby | .... | stunt coordinator | |
| William R. Spencer | .... | stunts (as William Spencer) | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
| Liz Dean | .... | casting: Los Angeles | |
| Maribeth Fox | .... | casting associate | |
| Eric Souliere | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jacqueline Aronson | .... | costume supervisor | |
| Kathryn L. Bucher | .... | costumer | |
| Sharon Fauvel | .... | head ager/dyer | |
| Lisa Marie Harris | .... | set costumer | |
| Vikki Paschetto | .... | wardrobe assistant | |
| Sierra Robinson | .... | additional costumer (as Sierra Bay Robinson) | |
| Riki Lin Sabusawa | .... | additional costumer (as Riki Sabusawa) | |
Editorial Department | |||
| Robert Drwila | .... | first assistant editor (as Bob Drwila) | |
| Jason Fabbro | .... | digital film colorist: Technicolor Digital Intermediates | |
| Esther Lee | .... | digital intermediate producer: Technicolor Digital Intermediates | |
| Deanna O'Neil | .... | dailies project manager | |
| Nancy Richardson | .... | additional editor | |
| Mark Sahagun | .... | digital intermediate editor: Technicolor Digital Intermediates | |
| Marc Wielage | .... | colorist: dailies | |
| Dan Williams | .... | digital color assistant | |
| Jeff Smithwick | .... | film timer (uncredited) | |
Music Department | |||
| Jennifer Barak | .... | music editor (as Jenny Barak) | |
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | music arranger | |
| Carter Burwell | .... | musician: keyboards | |
| Michael Farrow | .... | score recording engineer | |
| Dean Parker | .... | assistant to composer | |
| John Pattitucci | .... | musician: bass | |
| Marc Ribot | .... | musician: guitar | |
| Liza Richardson | .... | music supervisor | |
| Bryan Smith | .... | assistant engineer | |
| Jake Belnick | .... | assistant to music supervisor (uncredited) | |
| Michael Perfitt | .... | engineer: original songs (uncredited) | |
| Michael Perfitt | .... | mixer: original songs (uncredited) | |
Transportation Department | |||
| Luke H. Atkine | .... | driver | |
| Tony Barattini | .... | driver | |
| Mike Belt | .... | driver (as Michael R. Belt) | |
| Jody Bingenheimer | .... | driver | |
| Angel Desanti | .... | driver (as Angel De Santi) | |
| Audrey Fitzgerald | .... | driver | |
| Wayne Flowers Jr. | .... | driver (as Wayne Flowers) | |
| Geno Hart | .... | transportation coordinator | |
| Chris Haynes | .... | driver | |
| Kirk Huston | .... | driver | |
| Hardy Ophuls | .... | transportation captain | |
| Marty Osborne | .... | picture vehicle captain (as Martin Osbourne) | |
| John Pellegrino | .... | transportation co-captain | |
| Adam Pinkstaff | .... | transportation captain | |
| Santos P. Rodriguez | .... | driver: catering | |
| Carlos M. Serrano | .... | driver | |
| Steven Luke Weible | .... | driver (as Steve Weible) | |
| Dave Wilson | .... | driver | |
Other crew | |||
| Caroline Applegarth | .... | assistant: Ms. Moore (as Caroline T. Applegarth) | |
| Mark Asaro | .... | production coordinator | |
| William Batsel | .... | set production assistant | |
| Tyler Beem | .... | set production assistant | |
| Shauna Bogetz | .... | assistant: Mr. Gilbert | |
| Shauna Bogetz | .... | production executive: Gilbert Films | |
| Robert Cable | .... | production accountant | |
| Donald Chambers | .... | office production assistant | |
| Dan Cowan | .... | customer service representative: Technicolor | |
| James Debbs | .... | project supervisor: Antidote International Films | |
| Gabriel Dell Jr. | .... | stand-in: Mr. Ruffalo (as Gabe Dell) | |
| Alexandra Dunn | .... | intern | |
| Kathy England | .... | production insurance: Taylor & Taylor | |
| Charles Fagin | .... | key assistant location manager | |
| Lennon Ficalora | .... | intern | |
| Heather Fielding | .... | studio teacher | |
| Caroline Fife | .... | set production assistant | |
| Marie Paule Goislard | .... | location scout | |
| Andy Goldman | .... | title designer: main titles | |
| Meredith Greenberg | .... | set production assistant (as Meredith Anne Greenberg) | |
| Jenny Halper | .... | development executive: Mandalay Vision | |
| Celia Hemken | .... | stand-in: Ms. Moore | |
| Dan Hemphill | .... | payroll accountant | |
| Andres M. Hernandez | .... | cook | |
| Takeo Hori | .... | vice president: Antidote International Films | |
| Shawn Hueston | .... | assistant location manager | |
| Toni Kallen | .... | stand-in: Ms. Benning & Ms. Wasikowska | |
| Jamie Kemp | .... | head chef | |
| Jeff Korson | .... | assistant location manager | |
| Courtney LaBree | .... | assistant production coordinator (as Courtney Labree) | |
| Paul T. List | .... | assistant: Mr. Levy-Hinte | |
| Tiffany Lo | .... | assistant to producer | |
| Tiffany Lo | .... | cast assistant | |
| Margaret Martinez | .... | first assistant accountant | |
| Ilana McAllister | .... | payroll accountant | |
| Richard McCune | .... | financing: City National Bank | |
| Leslie Merlin | .... | set production assistant | |
| Robert Morris | .... | set production assistant | |
| Brian Nailing | .... | cook | |
| Sam Nainoa | .... | set production assistant (as Sam K. Nainoa III) | |
| Alex O'Flinn | .... | set production assistant | |
| Henrik Pellier | .... | set production assistant | |
| Anthony Penido | .... | set medic (as Tony Pendido) | |
| Erik Piecuch | .... | financing: City National Bank | |
| Bianca Poletti | .... | intern | |
| Rebecca Robertson | .... | script supervisor (as Rebecca Robertson-Szwaja) | |
| Lili Romero | .... | office production assistant | |
| Rachel Rosales | .... | intern | |
| Jackson Rowe | .... | key production assistant | |
| Kathy Ruiz | .... | office manager: Antedote International Films | |
| Megan Schmidt | .... | set production assistant | |
| Ned R. Shapiro | .... | location manager (as Ned Shapiro) | |
| Daniel Shine | .... | set medic | |
| Mark Shockley | .... | electronic press kit | |
| Wednesday Standley | .... | assistant: Mark Ruffalo | |
| Jack Stern | .... | studio teacher | |
| Nathaniel Stutz | .... | assistant: Ms. Cholodenko | |
| Diane Upson | .... | executive: Technicolor | |
| Diana Van Leeuwen | .... | set production assistant | |
| Dan Wesselman | .... | key account manager: Technicolor | |
| Gary Woldman | .... | craft service | |
| Nicolas Zapata | .... | set production assistant | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Steve Berman | .... | completion bond (uncredited) | |
| Shauna Bogetz | .... | production executive: Antedote International Films (uncredited) | |
| Alish Erman | .... | intern (uncredited) | |
| Deanna O'Neil | .... | dailies project manager (uncredited) | |
| Marc H. Simon | .... | legal counsel (uncredited) | |
| Adam M. Stone | .... | product placement coordinator (uncredited) | |
| Cat Stone | .... | product placement coordinator (uncredited) | |
Thanks | |||
| Rori Bergman | .... | special thanks | |
| Carter Cohn | .... | special thanks | |
| Warner Ebbink | .... | special thanks | |
| Scott Ferguson | .... | special thanks | |
| Juan Guzman | .... | special thanks: Los Angeles City Parks | |
| Stephen Halls | .... | special thanks | |
| Frank Harris | .... | special thanks: Ocean View Community Gardens | |
| Michael Hausman | .... | special thanks | |
| Jennifer Hoopes | .... | special thanks | |
| Kevin Huvane | .... | special thanks | |
| April Janow | .... | special thanks | |
| Bill Johnson | .... | special thanks | |
| Jamie Kapel | .... | special thanks | |
| Nathan Larson | .... | special thanks | |
| Jeffrey Levy-Hinte | .... | special thanks | |
| Tony Lipp | .... | special thanks | |
| Caryn Marcus | .... | special thanks | |
| Emilio Mauro | .... | special thanks | |
| Gaby Morgerman | .... | special thanks | |
| Evelyn O'Neill | .... | special thanks | |
| Pamela Pickering | .... | special thanks | |
| Milton Radutzky | .... | special thanks | |
| Richard Radutzky | .... | special thanks | |
| Irwin Rappaport | .... | special thanks | |
| Carter Reedy | .... | special thanks | |
| Ira Resnick | .... | special thanks | |
| Stephanie Ritz | .... | special thanks | |
| Jim Seibel | .... | special thanks | |
| Catherine Shao | .... | special thanks | |
| John Sloss | .... | special thanks | |
| Robert Stein | .... | special thanks | |
| Bart Walker | .... | special thanks | |
| Craig Wedren | .... | special thanks | |
| David Paul Wichert | .... | special thanks | |
| Joshua Zeman | .... | special thanks | |
| Robert Ziembicki | .... | special thanks | |
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The Kids Are All Right is one of those sweetly sentimental comedies that manages to be funny as well. It's about a decidedly unorthodox family that's far from perfect and what happens when a so-called interloper arrives on the scene. It's wonderfully acted, with affecting performances by Mark Ruffalo and Julianne Moore, and it's engaging entertainment, no small feat when the subject of touching charm arises.
Nic (Annette Bening) and Jules (Moore) are a married lesbian couple in California with two kids, Laser (Josh Hutcherson) and Joni (Mia Washikowska). Two two kids one for each mom are the result of a sperm donor, and when Joni turns 18 she places a call to the sperm bank at her brother's behest. The two wind up meeting Paul (Ruffalo) and hit it off, but when the two moms meet him, they have strikingly different reactions to his arrival.
There's excellent conflict afoot here. The kids resent their moms for being so defensive about their wanting to know about their own biological father; the moms resent the kids for looking into the matter themselves. X is the calm, mediating type; she's outwardly caring and splits her time between raising the two kids and starting new (doomed) businesses. By contrast, Nic is more inwardly insecure, and she compensates by controlling as much as possible of the lives of the other three. No wonder Paul's appearance causes Nic to get her back up.
The movie isn't one of those where increasingly wacky situations occur. It's not a slammed-door comedy. People behave as if you'd expect them to behave, which is nice thing to see in a comedy (rather than exaggeration of gestures and speech, for example). Eventually, it isn't enough that Paul shows up in everyone's lives, disrupting what little harmony they have; something else happens as a result of his appearance that really behaves as the key conflict. And for once, when the culprits are confronted, there is no neatly tied response given by the rest of the family.
Another pleasant aspect of the movie is that it never treats the relationship between Bening and Moore as if it were anything but the most commonplace thing on earth. It's not just that these two woman are married and in love, it's that they're also utterly human they fight each other convincingly, they get their feelings hurt, and they reconcile with the kind of subtlety you rarely really see in movies these days. Each character, rather than being simply caricatures of what a straight person would assume a gay married couple would look like, has her own striking personality, and the two actresses perform quite well. I think Moore comes off a little better and that Bening's character sometimes seemed a little one dimensional but this is more likely an oversight on the part of the writer, not the actress. Ironically, it was Bening who received an Oscar nomination for this movie, but I think Moore's work was superior here.
Overall, the script neither flashy nor contrived; situations don't crop up just so we can have a laugh at someone's expense. Well done.
The Kids Are All Right is a genuinely funny movie. It's not a gagfest, and it wasn't meant to be one. The characters are sincere but not always forthright; they all seem to make a bad decision or two in the movie. The cast was well selected (lest I forget, Ruffalo is aces as a laid-back buttinsky, if such a thing can exist), and it's a movie worth seeing.