Nic and Jules are in a long term, committed, loving but by no means perfect same-sex relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay-at-home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni (conceived by Nic) and Laser (by Jules). Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat reluctantly, she does. He is late ... Written by
Jules (Julianne Moore) has a tattoo on her left wrist that reads JLN. This stands either for "Jules Loves Nic" or "Joni Laser Nic". The ink can most easily be seen about twenty minutes into the film when Jules and Nic are watching "Locked Up Abroad." See more »
In the scene where the central characters have dinner at Paul's house, Paul pours wine into his glass. As the scene progresses Paul's glass changes from empty to full about 6 or 7 times. See more »
Maybe we should just sit him down and ask him already.
What? "Are you and Clay fucking?"
"Exploring" is a better word.
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The Kids Are All Right is yet another dramedy about a dysfunctional family, but it is still an excellent film with a great script and performances.
Annette Bening and Julianne Moore are excellent. Both are extremely versatile, and both flawed, but they play their characters with true respect for the script. Mark Ruffalo is also a nice addition, but If I had to choose the best, it would be Bening, simply because she has the most to play with. There is a great scene where she finally warms up to Ruffalo's character and starts her own rendition of one of her favorite songs in the dinner table. The best scene in the film, perfectly executed, and Bening certainly deserves an Oscar nomination for that scene alone. Mia Wasikowska also proves that she is a great talent to behold for the future. The ending is great, really touching and it rings especially with me because I am close to leaving for college next year as well.
Overall, I regret not having seen this sooner, and it is definitely worth accolades for the script and performances.
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