A working-class man named Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general for ... See full summary »
A 24 hour period in the lives of Fausto and Jesus, two undocumented Mexican day-laborers in L.A. Each day another task, each day the same pressure to find money. They go about their daily ... See full summary »
Jesus Moises Rodriguez,
Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and ... See full summary »
Johan (Cornelio Wall Fehr), a Mennonite living in Mexico, is tormented with guilt over his extramarital affair with Marianne (Maria Pankratz). His father (Peter Wall), best friend (Jacobo Klassen) and wife (Miriam Toews) know the truth, but Johan's suffering has to do with his faith, which he can't reconcile with his deeds. Written by
Mexico's official submission for the 80th Academy Awards, and the first film from that country that is not in Spanish. Under AMPAS's new rules for Best Foreign-Language Film, it is eligible for a nomination. See more »
Surrender to the veracity and have your vitals pulped.
I am officially senior this year and I have seen a lot of movies, but I doubt if I will ever see a better one than this. I find it hard to analyse why it is so amazingly magic and captivating. I'll try not to bore you, as I have done to all my friends who haven't seen it. I think the ambient sound-designed soundtrack and the restrained, poignant and profound dialogue are the most revelatory aspects of the films construction. Indeed I can't think of another film comparable for emotional clout using such economic material. Although I share the filmmakers disappointment that his film is not embraced by a larger audience, I was lucky enough to see this movie in an all but empty cinema in London and joyfully, tearfully and emotionally sucked in every molecule off the screen and surrendered to its visceral magic. It could be twice as long, I don't care it was utterly beautiful. It felt totally authentic, real and relevant to me. There were admittedly, a lot of personal resonances for me in there. I had just been on a mature gap to a rural part of Australia visually similar to Mexico and most of the time I was driving around in my ute in torrential rain or baking sun. No telly, no adverts, no phones and no urban pressure....bloody delicious. Some of my ancestors were Mennonites so I am very sympathico to their lifestyle ethos. Anyone who has been in such a love-triangle will recognise the veracity of the plot. I was totally blown away back in my own time during it and revisited Stellar Licht for weeks and weeks after wards. I would love to watch again but I think it needs the big screen.
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