Los bastardos (2008)
The 10-day fest opens Oct. 21 with Pablo Larrain’s latest opus, “Neruda,” which reps Chile at the Foreign-Language Oscar race, and stars Gael Garcia Bernal who will present the pic. Guests of honor this year include Willem Dafoe, Giada Colagrande and Audrey Tautou. Rising Venezuelan star Edgar Ramirez will be presenting two high-profile pics he stars in, “The Girl on the Train” and “Hands of Stone.”
But Morelia remains an important barometer of the latest in Mexican cinema. Mexican thesp Demian Bichir, Oscar-nommed for his lauded perf in 2011 drama “A Better Life,” is staging the world premiere
Produced by Ag Studios’ Itaca Films, “Un Cuento de Circo…” turns on a young man called Refugio who was born in a circus and journeys from Mexico to New Orleans in search for his lost love. Its cast is led by Bichir, his co-star in FX’s “The Bridge” Diane Kruger, and Jason Patric and Eva Longoria.
Meanwhile, Sebastian Cordero, Ecuador’s most renowned helmer (“Europa”), has chosen Morelia for the Mexican debut of his latest pic, “Sin Muertos No Hay Carnaval,” a co-production between his shingle, Carnaval Cine, with producing partner Arturo Yepes, Mexico’s Salamandra Prods. and Germany’s Atkis Film Prod. Bowing in Ecuador on Sept.
Director: Amat Escalante
Writer: Amat Escalante and Gibran Portela
Amat Escalante, protégé of Carlos Reygadas, snagged the Best Director award at Cannes 2013 for his unpleasant but striking third feature, Heli (previously, he’d won the Fipresci prize for his debut Sangre in 2005, while his 2008 sophomore film Los Bastardos playing in Un Certain Regard). He’s back with a very ambitious project, The Untamed, described as a “social/sci-fi movie about machismo, homophobia, and the repression of women,” catalyzed by the crash of a meteorite into a mountain. Based on his heavy-hitting past works, we can only image what’s in store for us with this mixture of ‘horror’ and ‘realism.’
Production Co./Producer(s): Mantarraya Film’s Jaime Romandia, SnowGlobe Films’s Katrin Pors
U.S. Distributor: Rights Available. Tbd (domestic) Tbd (international).
Release Date: The film’s producers have stated the project will be ready for May,
[Read the whole post on twitchfilm.com...]
With his two previous films, Sangre (2005) and Los Bastardos (2008), Amat Escalante has been finding his way between self-conscious minimalism and ball-busting shock, and with Heli he strides ever closer to a war-zone balance, a style that dovetails poetic resonance and unblinking horror. In the meantime, he and his mentor, Carlos Reygadas, have red...
Narrative films concerned with roving drug gangs, political corruption and barbaric acts of extreme and horrendous violence are depressingly common nowadays and have formed the backdrop for several high profile Hollywood movies in recent years, including Oliver Stone's Savages (2012) and Mexico's own Miss Bala (2011). However,
[Read the whole post on twitchfilm.com...]
Section: Main Competition
Buzz: Steadily guided by Cannes’ fest head honcho Thierry Fremieux, Amat Escalante receives a major big stage showing for his long-awaited third film (worth noting it was among the four hand-picked winners for the 2010 Sundance/Nhk International Filmmakers Awards along with Andrey Zvyagintsev’s “Elena” and Zeitlin’s “Beasts of the Southern Wild“). Sangre (Un Certain Regard – 2005), his debut feature announced the helmer as an up-and-comer in Mexican cinema, while his home-invasion follow-up Los Bastardos divided up the critical mass when it showed once again in Cannes in 2008 (Un Certain Regard).
The Gist: In a small Mexican town, where most citizens work for an automobile assembly plant or the local drug cartel, Heli is confronted with police corruption, drug trafficking, sexual exploitation, love, guilt and revenge in the search for his father who has mysteriously disappeared.
If you like glacially paced, boring Mexican family dramas that grafts itself on to a horror genre like a mad surgeon creating a movie hybrid, then Jorge Michel Grau’s flick is for you. If you go in imagining an inventive and engaging take on, less face it, a rather grubby and transgressive exploitation film, you’ll be sorely disappointed.
Mexican cinema has undergone a fine mainstream/arthouse type crossover resurgence since Amores Perros ten years ago and it keeps delivering some brilliant efforts from the likes of Carlos Reygadas and Amat Escalante, whose Los Bastardos was
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.