A 24 hour period in the lives of Fausto and Jesus, two undocumented Mexican day-laborers in L.A. Each day another task, each day the same pressure to find money. They go about their daily ... See full summary »
A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness, he stays at the farmstead of Ascen, an old, religious woman. Although but a few words are spoken, love grows.
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the ... See full summary »
A working-class man named Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general for ... See full summary »
Sobering tale about the small-time loser Santiago, who roams the streets of a Spanish town after leaving his wife and children looking for ground under his feet. There only seems to be one ... See full summary »
Carlos Serrano Azcona
Antonio Martin Beato,
Ana Casado Boch
Economy has collapsed. Among the affected ones lives the rebel teenager Flavia, and her old and grumpy neighbor Martin. Both will learn to relate , not just to survive the crisis, but to find the sense of their lives.
Juan Carlos Colombo,
A 24 hour period in the lives of Fausto and Jesus, two undocumented Mexican day-laborers in L.A. Each day another task, each day the same pressure to find money. They go about their daily routine, standing on the corner at the Home Improvement Store waiting for work to come. Today, the job they are given is well paid compared to their poor usual wages. Today, Jesus carries a shotgun inside his backpack. Written by
LOS BASTARDOS (dir. Amat Escalante) The film is an unflinching attempt to apply the principles of DOGMA 95, or something quite similar, and this starkly unconventional film succeeds very well. DOGMA 95 was a Danish film movement which was conceived as a reaction to Big Budget Hollywood films, and initiated new ways to tell a story with film. Lars Van Trier and Thomas Vinterberg, authors of the guiding principles, felt that the job of the modern filmmaker was to mirror reality as closely as possible-with Absolutely NO Frills. DOGMA 95 films would only use ambient sound-No Soundtracks, employ no fancy lighting techniques, use improvisational dialogue only, non-actors would be employed exclusively, and only hand-held camera work was allowed. LOS BASTARDOS begins with an opening shot of over three silent minutes in which the two lead characters walk into focus from far off in the distance. Most films attempt to ensnare the viewer immediately, yet in this film you feel that you are, 'waiting for something to happen'. The camera is used only to observe and record, and the story is allowed to emerge with no embellishments. A hired killing is the slim conceit of this film, and the film unfolds at a slow pace, and has the feeling of a documentary because none of the action could be confused with conventional acting. This film is not for everyone, but I would highly recommend it. Winner of numerous awards.
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