| Photos (see all 2 | slideshow) |
Directed by | |||
| Andrew O'Connor | |||
Writing credits | ||
| David Britland | (story) & | |
| Andy Nyman | (story) & | |
| Anthony Owen | (story) & | |
| Andrew O'Connor | (story) & | |
| Jesse Armstrong | (story) & | |
| Sam Bain | (story) | |
| Jesse Armstrong | (written by) & | |
| Sam Bain | (written by) | |
Original Music by | |||
| Paul Englishby | |||
Cinematography by | |||
| James Welland | |||
Film Editing by | |||
| Lucien Clayton | |||
Casting by | |||
| Sarah Crowe | |||
Production Design by | |||
| Max Gottlieb | |||
Art Direction by | |||
| Ben Munro | |||
Costume Design by | |||
| Annie Hardinge | |||
Makeup Department | |||
| Nikkie Grimshaw | .... | trainee makeup artist | |
| Susie Munachen | .... | makeup designer | |
| Camilla Kirk-Reynolds | .... | makeup trainee (uncredited) | |
Production Management | |||
| Tim Wellspring | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Chris Croucher | .... | crowd third assistant director | |
| Daniel Gill | .... | third assistant director: additional photography (as Dan Gill) | |
| Paula Turnbull | .... | second assistant director | |
Art Department | |||
| Jonnie Elf | .... | set dresser | |
| Hannah Evans | .... | production buyer | |
| Derek Gray | .... | storyboard artist | |
Sound Department | |||
| Howard Bargroff | .... | sound re-recording mixer | |
| Ben Cross | .... | assistant sound designer | |
| Ben Harvey | .... | sound designer | |
| Tom Hutchings | .... | assistant sound designer | |
| Gareth Llewellyn | .... | assistant sound re-recording mixer | |
| Greg Marshall | .... | supervising sound editor | |
| Susan Pennington | .... | dialogue editor | |
| Jonathan Rimas | .... | adr mixer | |
| Leyton Rooney | .... | supervising foley editor | |
| Tim White | .... | sound mixer | |
| Tom Williams | .... | boom operator | |
Visual Effects by | |||
| Papavramides Alexandra | .... | digital compositor: Baseblack VFX | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Max Horton | .... | colourist | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Pat Wintersgill | .... | on-line editor | |
Camera and Electrical Department | |||
| Sally Caldecutt | .... | camera trainee | |
| Camilla Drennan | .... | clapper loader dailies | |
| Paul Edwards | .... | Steadicam operator | |
| Carolyn Hughes | .... | camera trainee | |
| Paul Snell | .... | camera trainee: "b" camera | |
| Lee Wooster | .... | electrician | |
Animation Department | |||
| Royce Carmichael | .... | background artist | |
| Paul Heyhoe | .... | background artist | |
Casting Department | |||
| Cassandra King | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Gabrielle Spanswick | .... | costume supervisor | |
| Aaron Timperley | .... | wardrobe master | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| Stephen Haren | .... | assistant editor | |
Music Department | |||
| Matt Biffa | .... | music supervisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nyree Pinder | .... | score coordinator | |
Other crew | |||
| Helen Andre | .... | script supervisor | |
| Leon Ballin | .... | location scout | |
| Paul M. Brennan | .... | floor runner | |
| Vicky Chapman | .... | locations runner | |
| Matt Curtis | .... | title designer | |
| Cherry Fiddaman | .... | production accountant | |
| Richard Fiddaman | .... | assistant accountant | |
| Emma Gahan | .... | assistant to director | |
| Camille Gatin | .... | assistant: Mr. Madden | |
| Catherine Golding | .... | production coordinator: additional photography | |
| Marzenna Hiles | .... | script supervisor | |
| Dan Hodgett | .... | location services | |
| Paul Huntingford | .... | assistant production coordinator | |
| Rachel Kennedy | .... | unit publicist | |
| Alastair Mackay | .... | crowd runner | |
| Steve Mortimore | .... | location manager | |
| Scott Penrose | .... | illusion builder | |
| Scott Penrose | .... | magic consultant | |
| Asha Sharma | .... | unit location assistant | |
| Eve Swannell | .... | production coordinator | |
| Emma Yeomans | .... | assistant location manager | |
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| Prick Up Your Ears | Excalibur | Super Troopers | Not Another Teen Movie | The Prestige |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
Karl and Harry are magician partners, regularly wooing their audiences with their brand of mystery and wonder. However two events tear them apart. The first is Harry's discovery that Karl is having an affair with his wife. The second is Harry accidentally beheading that same wife during a mishap with a guillotine. Many years go by and Karl is still working as a magician but is trying to break into the TV niche held by David Blaine, Derrel Brown and others of that ilk. Meanwhile Harry is selling knives in the supermarket to earn his living. With the Magic Shield coming up, Harry turns to Karl to reunite temporarily and win the contest. However barely minutes into it, old tensions resurface and the pair split again to go head-to-head.
It is a little concerning to watch the progress of the career or Mitchell and Webb. I first came across them in the quite brilliant Peep Show, where their delivery was excellent against the strong material. Next I saw their sketch show and, although it was a bit hit and miss, it was still reasonably amusing. Afterwards comes this film which again is a step down even if the move into films appears to be a positive step. The concept appears to offer up potential but somehow the script doesn't really give them the material to work with. For some reason the script keeps them apart too often and gives them romantic subplots (of a sort) to deal with. The film is at its best when they are together, clashing with one another in the awkward and uneasy way they do. However it must be said that these moments are not frequent enough and mostly the film is just not that funny.
The rather British "awkward" humour is OK but not as well done as those used to it will have seen it done other places. Mitchell and Webb are both pretty good when the material is given to them but again, this is not often enough for what they have shown they are able to do. The support cast is full of familiar faces from Spaced, Saxondale, The Thick of It and several other strong British comedies. However nobody really have the chance to shine apart from the wonderfully letchy Edge. Stevenson (now Hynes), Hardiker, Riseborough, Capaldi and others are all OK, but it is the lack of material offered them that limits them.
Overall then an OK comedy but nothing more than that. Viewers get glimpses of what the film could have been or what the cast are capable of and, while these glimpses are occasionally funny they do not make up for the fact that they are only glimpses. Credit to Mitchell and Webb for trying to show that they are much more than just Peep Show actors, but Magicians is not the vehicle that will do that for them.