Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the LAPD with a rogue detective who isn't what he appears to be.
The Charlestown neighborhood of Boston is renowned for churning out a high number of armed robbers, generation after generation. These robbers never leave their Charlestown life on their own volition, the neighborhood where there is an unwritten code to protect that lifestyle. Such robbers include friends Doug MacRay, James Coughlin, Albert 'Gloansy' Magloan and Desmond Elden. Doug and James in particular treat each other like family, as the Coughlins have realistically been as such to Doug since Doug's mother ran off and Doug's father, Stephen MacRay, was sent to prison. James' single mother sister, the drugged out Krista Coughlin, and Doug have a casual sexual relationship. The foursome carry out a mostly successful bank robbery, but due to circumstances take the bank manager, Claire Keesey, hostage for a short period before releasing her physically unharmed. They find out that Claire lives in Charlestown, so they want to ensure that she did not see anything that could incriminate ... Written by
The film's premiere was held at Fenway Park. The cast walked a red carpet along the first baseline. See more »
While the gang prepares to rob Fenway Park after the Red Sox-Yankees series, the TV shows a game between the Red Sox and Toronto. See more »
Driver's name is Arthur Shea. Former Metro Police officer, fifty-seven years old. Soon as his partner leaves with the coal bag, Artie cracks a Herald, and he don't look up 'til the guy gets back. Marty Maguire. Cummins Armored courier. Five-ten, two-twenty, fifty-two years old. Picks up every Wednesday and Friday at exactly 8:12, makes a hundred and ten dollars a day, carries a Sig nine. And he's about to get robbed.
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The opening production logos have been darkened and slightly desaturated. See more »
I was wrong about Ben Affleck. I never believed that Affleck was ever a star. I never saw him as a director-type. I do admit I was wrong, though. Ben Affleck was truly incredible as Doug McCray, and I've never seen him work his acting at such a high level. As far as the plot of the film goes, it's very engaging. The trailer doesn't give this film justice as it's very intense and romantic at times.
Jeremy Renner is quite intimidating and Blake Lively is sexy, Ben Affleck is gripping and the supporting cast is incredibly powerful. I think the movie was powerful and not at all predictable. I couldn't wait to see what would happen and if Doug would get away. It's such a greatly crafted movie. From writing to acting this film is wickedly astounding.
I thought that the sex scene was over too quickly, but it was made up with all the action. I thoroughly enjoyed the chase scenes. I thought the action sequences were well-drawn out. I loved the bank robbery scenes of the blue masks and the nun outfits. I especially liked Ben's scenes with the sledge hammer and the scene where he says, "if I think anything might happen to her, I'm gonna kill both of you." It's a clip from the trailer, but it's so much better when it happens in the film.
It's driven as an action film with drama and romance on the side. There's a few chuckles along the way, but pretty much sparse. I thought the romance was done just enough and I felt the drama was perfectly done and drastically added to the plot, as well as the tone of the film.
It's certainly the best heist movie I've ever seen. In comparison, if you called Inception a heist movie, this movie is a better heist movie. I really think this is the Heat of the decade. I truly believe that Affleck is in his peek of his career and this is his greatest performance, directing, writing and acting. I'm overjoyed and excited to see his next piece of work.
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