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Everyday Sunshine: The Story of Fishbone (2010)

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A career retrospective of Fishbone, an all African-American rock band from Los Angeles who created a high energy blend of funk, metal, ska, and punk and experienced a career as chaotic and unique as the music they created.

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1 win & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
Norwood Fisher ...
Himself
Angelo Moore ...
Himself
Chris Dowd ...
Himself
Walter A. Kibby II ...
Himself (as 'Dirty' Walt Kibby II)
Kendall Jones ...
Himself
Phillip Fisher ...
Himself (as Phillip 'Fish' Fisher)
John Bigham ...
Himself
Tracey Singleton ...
Himself (as Tracey 'Spacey T' Singleton)
Rocky George ...
Himself
DeAndre Gipson ...
Himself (as Dre Gipson)
John McKnight ...
Himself
John Steward ...
Himself
Curtis L. Storey Jr. ...
Himself (as Curtis Storey)
André 'PaDre' Holmes ...
Himself (as PaDre Holmes)
Elaine Fisher ...
Herself - Norwood and Fish's Mother (as Elaine 'Mama Fish' Fisher)
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Storyline

From the shifting faultlines of Hollywood fantasies and the economic and racial tensions of Reagan's America, Fishbone rose and became one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and the political order of the music industry and of the nation. EVERYDAY SUNSHINE is about music, history, fear, courage and funking on the one. Written by Pale Griot Film

Plot Summary | Add Synopsis

Taglines:

The story of California's legendary Black punk sons still funking on the one.

Genres:

Documentary | Music

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Details

Official Sites:

Country:

Language:

Release Date:

June 2010 (USA)  »

Also Known As:

Everyday Sunshine - A História do Fishbone  »

Filming Locations:


Company Credits

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Technical Specs

Color:

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Did You Know?

Quotes

Mike Watt: I've seen them do every style, in the same song!
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Connections

Features Back to the Beach (1987) See more »

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User Reviews

 
Everyday Sunshine: The Story of Fishbone at 14 Pews in Houston
29 October 2011 | by (United States) – See all my reviews

Watching Everyday Sunshine: The Story of Fishbone at 14 Pews in Houston, you get the feeling you're in the right place to watch this particular movie. The church-converted movie theater is a beautiful venue with warm, red planks of wood lining the walls and ceiling as well as artwork displaying oil spills in vibrant contrasting colors.

Five minutes prior to screen time, though, the venue is less than quarter-full and on the same day the media were falling over themselves singing the praises of the soon-to-be-open Sundance Theater downtown, you also get the feeling that more people really ought be here to appreciate a fine independent film and local art house. You can't help feel the same about Fishbone.

The film is essentially a tribute to unfulfilled promises, or as Angelo Moore characterizes in the film, "famous but not rich." On some level, this film could have been about any brilliant, genre-challenged African- American band pre-2K, like Living Colour or Bad Brains. It just happened to be about the craziest.

Central to the film is the relationship between Moore and Norwood Fisher, with Fisher at times debating between Moore's hyper-creativity and sometimes overbearing disruptive behavior, and Moore talking about every damn single thing he can. While the film mostly portrays the two separately in interviews, it's when the two are together fighting over the future direction of the band that you get a true sense of how much admiration and enmity exist between the two. It's a scene virtually every band or family plays out, but the shared history and stature of the two make the familiar argument more significant. It's like the first time you realize your father is human after all.

However, the arc of the movie hinges on Kendall Jones. The events surrounding his tenure in and out of the band as well as the band's efforts to reach out to their friend bring an unexpected emotional pull from a seemingly care-free, everyone-else-be-damned band. It's here where I have my only criticism of the film in that Jones's account of events feels unfinished and unresolved.

Still, as the film closes with the title song of the film, you get an understanding of what makes this band really great. It is and always has been in the performance. Sitting in the pews of the once-church with the gospel-inspired coda of the song bouncing against the walls, I could imagine a history of what this former place of worship might have been and what it could be with just a little promotion and recognition. In seeing the band on screen performing one of its best known, you could say the same for this collection of individuals both blessed and cursed by their unwillingness to do anything less than what they want for themselves and their art. And in leaving that night under a slight rainfall, I found myself rooting and hoping that a little sunshine would fall both on Fishbone and the neighborhood movie house.


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