Based on the Aramoana Massacre that occurred on 13 November and 14 November 1990. Resident David Gray, an unemployed gun collector, went on a rampage in which 13 people were shot dead, before Gray himself was shot by police.
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Story follows the divergent agendas of criminals, cops and lawyers as they collide over a shipment of illegal firearms and a double homicide. Earl Pike, a criminal, tries to get his family's illegal gun collection to a safe haven.
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Ordinary people find extraordinary courage in the face of madness. On 13-14 November 1990 that madness came to Aramoana, a small New Zealand seaside village. It came in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped in the village for 24 hours while a handful of under-resourced and underarmed local policeman risked their lives trying to find him and save the survivors. By dawn 13 people lay dead. This is a true story. Written by
Chris Cole is wearing a T-shirt that says: "Save our beach. Stop the smelter." This refers to the late 1970s proposal to build an aluminum smelter at Aramoana, which would have destroyed the township and threatened a local wildlife reserve, and met with a lot of resistance from residents. See more »
In the town scene, a Chrysler PT Cruiser is clearly visible. This vehicle was manufactured from 2001. See more »
New Zealand docudrama about the massacre that occurred in Aramoana when an angry gun nut opened fire on his neighbors and severely reduced the population.
Slow to start, I thought that this was going to be a typical story of a shooting with its pleasant vistas and the get to know the participants set up scenes. However once things got going things spiral out in ways that they can only in real life. The violence, which we know is coming, is at first explosive and in its way out of left field. Then as the neighbors and soon to be targets attempt to figure out what the "fireworks" are things becoming darker as the random acts of violence begin to pick up. What do you do when a nut job begins to open fire? Here's the answer.
Though far from perfect, its a tad too clinical for my tastes, this film really packs a punch, especially in the final scenes where there are a few decidedly haunting images that not only drive home whats happened but also turns so of what we've seen on their ear (The swat team in slo mo).
I thought it was quite good. However I'm not particularly pleased with the Weinstein company who is its distributor. No ads for the film in New York. Sure you screened it for critics, but no add other than in the general ad for the IFC center where its playing. Clearly you don't want anyone to see it or know it existed.(I caught it on IFC on Demand cable service.) I only gave it a shot because I saw the title in the Time Out New York film reviews. Clearly they don't know what they are doing since here's a film they should promote but don't, yet other things like... Doogal...they promote like mad even thought it belongs in the bottom of a charnel house's fire pit.
If you get a chance to see it do so, its too good not to be seen.
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