Directed by
| Perry Henzell | ||
Writing Credits (in alphabetical order)
| Perry Henzell | ||
Cast (in credits order)
Produced by
| David Garonzik | ... | producer |
| Arthur Gorson | ... | executive producer |
| Justine Henzell | ... | executive producer |
| Perry Henzell | ... | producer |
| Andy Herz | ... | associate producer |
| Chris Romano | ... | producer |
| Jeff Scheftel | ... | consulting producer |
Music by
| J. Stephen Soles | ... | (as J. Steven Soles) |
Cinematography by
| Chris Browne | ||
| Peter Jessop | ||
| Peter Sinclair | ||
Editing by
| Alexis Chavez | ||
| Michael Edwards | ||
| Maureen Gosling | ||
| Pier Laskey | ||
| Dorothy Littlejohn | ||
| John Mullen | ||
| Caroline Packer | ||
| Shac | ||
Art Direction by
| Leo Bernard | ||
| Sally Henzell | ||
Makeup Department
| Yvette Hussey | ... | hair stylist |
| Carol Reid | ... | hair stylist |
Second Unit Director or Assistant Director
| David McNeil | ... | first assistant director |
Art Department
| Ria Lewerke | ... | graphic designer |
Sound Department
| Mark Anthony | ... | adr mixer |
| Andre Bidwell | ... | sound mixer: first insert shoot |
| Michael J. Fox | ... | adr mixer |
| Bill Jenkins | ... | re-recording mixer |
| Joe Kalish | ... | re-recording mixer |
| Tom Marks | ... | re-recording mixer |
| Bob Pavey | ... | sound |
| Scott Poulin | ... | sound editor |
| Daniel F. Scherl | ... | sound editor |
| Edward Tise | ... | sound |
| Ben Whitver | ... | sound assistant |
Visual Effects by
| Steve Gibbons | ... | visual effects |
| Chris Kern | ... | visual effects producer: Voodoo |
| Anita Razzano | ... | digital artist |
| Terry Silberman | ... | visual effects supervisor: Voodoo |
| Ernie Smith | ... | digital compositor: Voodoo |
Camera and Electrical Department
| Hugh Clarke | ... | grip |
| Raymond Edwards | ... | assistant camera: first insert shoot |
| Arthur Gorson | ... | still photographer |
| Cookie Kinkead | ... | still photographer |
| Jahsen Levy | ... | camera operator: second insert shoot |
| Roy Marsden | ... | grip |
| Bob Povey | ... | grip |
| John Swaby | ... | assistant camera |
| Sugar Thompson | ... | grip |
| Kelly Van Horn | ... | gaffer |
Editorial Department
| Siggy Ferstl | ... | digital colorist |
| Luke Guidici | ... | on-line editor |
| Juan Rivera | ... | telecine operator |
| Darin Wooldridge | ... | telecine operator (as Darin Woodridge) |
| Anthony Motta | ... | telecine assistant (uncredited) |
Music Department
| Peter Becker | ... | music research |
| Alexis Chavez | ... | music research |
| Alexina Matisse | ... | music research |
| Aminé Ramer | ... | music supervisor (as Amine Ramer) |
| Andrea von Foerster | ... | music supervisor |
Additional Crew
| Kinsey Beck | ... | creative consultant |
| Timothy Brooks | ... | production assistant: first insert shoot |
| Jason Brown | ... | production assistant |
| Jacqueline Gannie | ... | production assistant |
| Andrew D. Herz | ... | legal services |
| Kelly Kroells | ... | HD facility |
| Colin Leslie | ... | production accountant |
| Jon Neuburger | ... | opticals: Precision Film Lab |
| Emilie Raymond | ... | HD facility |
| Clay Reed | ... | assistant to producer |
| Bonnie Voland | ... | publicist |
| Feonia Williams | ... | production assistant: first insert shoot |
Thanks
| Stephanie Black | ... | special thanks |
| Chris Blackwell | ... | very special thanks |
| Nancy Burke | ... | special thanks |
| Dan Davis | ... | special thanks: Mullatic Music |
| Jordan Fields | ... | thanks |
| Martin Flores | ... | special thanks |
| Cecilia Garonzik | ... | special thanks |
| Judy Geeson | ... | special thanks |
| Jason Henzell | ... | special thanks / thanks |
| Sally Henzell | ... | special thanks |
| Greg Le Duc | ... | special thanks |
| Ria Lewerke | ... | with thanks to |
| Patricia McGraw | ... | very special thanks |
| Pete McGraw | ... | very special thanks |
| Gene Pearson | ... | special thanks |
| Peter Rieveschl | ... | special thanks |
| Jeff Scheftel | ... | special thanks |
| Hani Selim | ... | special thanks |
| Michael Seltzer | ... | special thanks |
| Ed Walther | ... | special thanks |
