#1 NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
John C. Reilly,
Sacha Baron Cohen
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Brennan Huff and Dale Doback are both about 40 when Brennan's mom and Dale's dad marry. The sons still live with the parents so they must now share a room. Initial antipathy threatens the household's peace and the parents' relationship. Dad lays down the law: both slackers have a week to find a job. Out of the job search and their love of music comes a pact that leads to friendship but more domestic disarray compounded by the boys' sleepwalking. Hovering nearby are Brennan's successful brother and his lonely wife: the brother wants to help sell his step-father's house, the wife wants Dale's attention, and the newlyweds want to retire and sail the seven seas. Can harmony come from the discord? Written by
Brennan says he smoked pot with Johnny Hopkins and Sloan Kettering. There is a Memorial Sloan-Kettering Cancer Center in New York which is also mentioned in the lyrics to the opening song "A-Punk" by the New York band Vampire Weekend. And although it's not exactly called "Johnny," the famous Johns Hopkins hospital is in Baltimore. See more »
During Brennan's song at the Catalina Wine Festival, the drums don't match up with what Dale is playing several times. See more »
I liked Ferrel & Reilly as the racing team in "Talladega Nights" but this was even better. The physical comedy was outstanding and the acting itself was pitch perfect. Many critics commented on how well they did given what they had to work with, but I think the script was excellent. Some of the lines were brilliant, but you really have to give the actors credit for improvising. After Ferrell revealed his singing talents when he sang "Let's Give 'Em Something to Talk About", when Reilly gushed on and on about how great he was, and then said "I'm not sure, but towards the end I think I saw you turn into a Unicorn", I lost it. I really lost it when Ferrell's brother & his family were singing in the car "Sweet Child of Mine". It was a real classic.
Hell, I think I'll buy this when it comes out on DVD. I can't say that for many comedies ("Anchor Man" is one).
Don't miss this one. It's a scream.
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