| Photos (see all 10 | slideshow) | Videos (see all 6) |
| Henry O | ... | Mr. Shi | |
| Pavel Lychnikoff | ... | Boris | |
| Feihong Yu | ... | Yilan | |
| Vida Ghahremani | ... | Madam | |
| rest of cast listed alphabetically: | |||
| Megan Albertus | ... | Forensics Girl | |
| Wes Deitrick | ... | Antique Owner | |
| Angela Dierdorff Petro | ... | Maggie | |
| Liz Mathews | ... | Business Woman | |
| Ryan Sanson | ... | Plane Passenger | |
| Tracy Schornick | ... | Troy | |
| Trent Sweeney | ... | Boy | |
| Patrick Treadway | ... | Homeless Man | |
| Lonny W. Waddle | ... | City Bus Passenger | |
| Jared Wagner | ... | Airport Greeter | |
Directed by | |||
| Wayne Wang | |||
Writing credits | ||
| Yiyun Li | (novel) | |
| Yiyun Li | stories | |
| Michael Ray | script consultant | |
Produced by | |||
| Rich Cowan | .... | producer | |
| Lee Joo-Ick | .... | executive producer | |
| Yukie Kito | .... | producer | |
| Yasushi Kotani | .... | executive producer | |
| Juan A. Mas | .... | supervising producer | |
| Taizo Son | .... | executive producer | |
| Wayne Wang | .... | producer | |
Original Music by | |||
| Lesley Barber | |||
Cinematography by | |||
| Patrick Lindenmaier | |||
Film Editing by | |||
| Deirdre Slevin | |||
Casting by | |||
| Nike Imoru | |||
| Todd M. Thaler | |||
Production Design by | |||
| Vincent DeFelice | |||
Set Decoration by | |||
| Dan Beyer | |||
Costume Design by | |||
| Lisa Caryl | |||
Makeup Department | |||
| Trista Jordan | .... | key makeup artist | |
| Mike Meyers | .... | hair stylist | |
| Taci Van Leuven | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Rich Cowan | .... | first assistant director | |
| Lynn Wegenka | .... | second assistant director | |
Art Department | |||
| Amber Grunte | .... | set dresser | |
| Pete Moroz | .... | on-set dresser | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Heather Gross | .... | sound effects editor | |
| Allen Lau | .... | assistant sound editor | |
| Cate Montana | .... | adr editor | |
| Jay Peck | .... | foley artist | |
| Jac Rubenstein | .... | dialogue editor | |
| Tom Taylor | .... | sound mixer | |
| Rusty Dunn | .... | sound effects editor (uncredited) | |
Casting Department | |||
| Philip Huffman | .... | casting associate | |
| Colin Johnson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rebecca Cook | .... | set costumer | |
| Hilary Winkworth | .... | key set costumer | |
Editorial Department | |||
| Jason Mckee | .... | assistant editor | |
| Renannah Weinstein | .... | assistant editor | |
| Jason A. Payne | .... | additional editor (uncredited) | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Lesley Barber | .... | conductor | |
| Lesley Barber | .... | orchestrator | |
| Neil Parfitt | .... | scoring music editor (uncredited) | |
Transportation Department | |||
| Philip Allister Anderson | .... | picture car coordinator | |
| Adam C. Boyd | .... | driver: cast | |
| John Petty | .... | transportation captain | |
Other crew | |||
| Craig Binkley | .... | location manager | |
| Adam C. Boyd | .... | production assistant | |
| Cheryl Cowan | .... | script supervisor | |
| Thomas Dineen | .... | assistant production coordinator | |
| Mollie Mraz | .... | production assistant | |
| Gretchen Oyster | .... | key set production assistant | |
| Travis Pell | .... | production assistant | |
| Frederic Perrin | .... | caterer | |
| Kurt Wetherill | .... | production assistant | |
| Ryan Sanson | .... | production intern (uncredited) | |
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| Gone with the Wind | Thirty Seconds Over Tokyo | The Sand Pebbles | The Joy Luck Club | Big Fish |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
The films of Wayne Wang are an acquired taste. His early films,such as 'Eat A Bowl Of Tea','Dim Sum:A Little Bit Of Heart',and his best known film 'The Joy Luck Club' are meditations on the Asian lifestyle in the United States. If your tastes are aimed at explosions,car chases, mindless teen sex romps,bathroom humour,then avoid Wang's films at all costs. If you like a well written screenplay that doesn't dwell on car chases,explosions,toilet humour & all the rest that make for just another descent into the cinematic sewer,then you just may get your groove on with the films of Wayne Wang. Here,a elderly Chinese widower comes to the U.S. to visit his adult daughter (and try to run her life), while adjusting to the American experience (or at least trying to adjust). Toss in an attempted friendship with a widow from Iran,mix in some long hidden family secrets, and we have ourselves the formula for a real human drama. The cast,mainly made up of unknowns,make this slowly paced (but never boring)drama an alternative to the formulaic Hollywood garbage that always seems to be the centre of attention at the local multiplexes. No rating,but outside of the discreet mention of extra marital affairs,nothing to offend here.