To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
After having been rewarded for solving the mystery of the Pink Panther Diamond, inspector Jacques Clouseau has been assigned to minor tasks by his boss inspector Dreyfus so as not to have him in his way anymore. Unfortunately, the famous diamond has once again been stolen as have many other artifacts in a series of burglaries around the world. His past success will enable inspector Clouseau to be part of the dream team comprised of the greatest detectives of the affected countries, where he will be able to display his numerous talents across the world. Written by
Steve Martin immediately accepted to reprise his role for this sequel because of his love of the character and the opportunity to do very physical, burlesque comedy. See more »
In Rome, the inspector insists on selecting the wine. He picks the first bottle from the middle of the wine rack. In the next shot, the slot is full, and he places the bottle in a higher slot. In the third shot, he picks up another bottle from the middle of the rack. See more »
It's in every newspaper all over the world. We're all being made to look like idiots. Reputations built up over a lifetime utterly ruined.
I had to quite being a Buddhist because I feel so much hate.
HE SAT ON THE POPE'S HAT!
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The opening titles of the film double as an animated short featuring the famous animated counterparts of Inspector Clouseau and the Pink Panther. Similarly the film ends with the animated Pink Panther walking across the screen before the end titles start. Both of these appearances are consistent with the previous films in the franchise. See more »
I'm not ready to get out the torches and pitchforks and lead a lynch mob after Mr Martin -- not yet anyway! Having read the early reviews here, I went to the cheapo theater with low expectations, and emerged pleasantly surprised. There were some genuine laughs from time-to-time, plus a great cast (shoulda got more out them). My daughter and grandchildren were delighted.
The overall plot is reasonably clever -- so, that leaves the gags. Some work - some don't work that well, as evidenced by the fact that many IMDb'ers want to talk about why some of the gags don't 'feel right', or seem to 'take too long'. (No really successful comedians ever had people talk about how their gags don't seem to be working -- people just talk about how much they laughed. When people start analyzing why your comedy isn't funny, it ain't workin'). But we had a few chuckles in this one, if not a bunch of sustained belly laughs.
Everyone says we should stop comparing Steve Martin to Peter Sellers, but, if you watched the original films, how can you stop comparing? Sellers created this character, just as Atkinson created Mr. Bean and Cleese created Basil Fawlty. And Steve Martin tries to do Sellers anyway (his 'little yellow friend' line?). He can't quite pull it off, and he hasn't really found a shtick that works. For one thing, his eyes are always popping, like he's trying to pass gas. Sellers' eyes were quiet. His Clouseau was genuinely 'clueless'. And, I've mentioned elsewhere at IMDb that Sellers was a major Radio comedy star before doing films - that puts him in a league with Abbott & Costello, Burns & Allen, Bob Hope and Jack Benny. These guys built amazing gags that kept both live and radio audiences in stitches, using well-constructed devices such as bizarre characterizations, rapid exchanges, and nifty voices. Mr. Martin's roots in comedy are from a different - and later - era.
Overall, though, if you need an amusing and harmless diversion, go see this at the reduced-price theater. For $4, I'm in - $20 for a date and me, plus popcorn? where are those torches and pitchforks?
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