With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
Rolf de Heer,
A year after the accidental death of their father, three brothers -- each suffering from depression - meet for a train trip across India. Francis, the eldest, has organized it. The brothers argue, sulk, resent each other, and fight. The youngest, Jack, estranged from his girlfriend, is attracted to one of the train's attendants. Peter has left his pregnant wife at home, and he buys a venomous snake. After a few days, Francis discloses their surprising and disconcerting destination. Amid foreign surroundings, can the brothers sort out their differences? A funeral, a meditation, a hilltop ritual, and the Bengal Lancer figure in the reconciliation. Written by
Though no such train actually exists, The Darjeeling Limited was still filmed inside a moving train which went from Jodhpur to Jaisalmer and through the Thar desert, and proved a daily challenge for cinematographer Robert D. Yeoman as nothing could be fixed to the ceiling and filming equipment couldn't be more than a meter out of the windows. To achieve this, Wes Anderson and production designer Mark Friedberg went to see the Northwestern Railways company and told them they needed ten rail-cars and a locomotive which they would redecorate entirely and then move around their railway. This was the first time Northwestern Railways received such a request, and though it took a lot time and effort, it was eventually evidently granted. See more »
When we're first introduced to Jack's iPod, it's a 3rd generation iPod with no click wheel. Few moments later, a click-wheel iPod is in its place. See more »
I admit that arrogance is in the atmosphere of all of Wes Anderson's films and his style will probably never change, but I LOVE every single one of them (even the overblown "The Life Aquatic" gets me giddy). He knows how to push my emotional buttons and entertain the hell out of me, something that I find rare in most movies I watch. Usually if I want to be entertained, I feel the movie has to compromise the emotional value and vice versa. With Wes, I'm laughing, being entertained by the characters AND caring for them. The second that Adrien Brody ran past Bill Murray in slow motion running toward the train as The Kinks' "This Time Tomorrow" kicked in, my heart started racing at the idea that I was about to watch a new film by Wes, which I look at as something special that comes every few years. Wes' detractors complain that he is a pretentious one-trick pony, a true statement, but to me, not a negative one because I love his universe and I love being invited into it in every one of his films. While I love both of them, I occasionally wish that Tim Burton would make a film that wasn't some kind of Gothic fairy tale, or that Paul Thomas Anderson would make a film that didn't star his own ego. With Wes, I want him to just continue what he's been doing: keep using his same awesome style while taking baby steps of progress. The writing, acting, directing, soundtrack, production design and cinematography (okay, EVERYTHING) are top-notch in "The Darjeeling Limited". Hell, if "Rushmore" wasn't such a damn masterpiece, I'd say Wes has made his best film yet.
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