The Darjeeling Limited (2007)

User Rating:

7.3/10   

Director:

Wes Anderson

Writers (WGA):

Wes Anderson (written by) &
Roman Coppola (written by) ...

Release Date:

26 October 2007 (USA)

Genre:

Adventure | Comedy | Drama

Plot:

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray), and they eventually find themselves stranded alone in the middle of the desert with eleven suitcases, a printer, and a laminating machine. At this moment, a new, unplanned journey suddenly begins.

Plot Keywords:

Train | Brother | India | Journey | Funeral

Awards:

1 win & 3 nominations

Cast

Owen Wilson	...	Francis L. Whitman
Adrien Brody	...	Peter L. Whitman
Jason Schwartzman	...	Jack L. Whitman
Amara Karan	...	Rita
Wallace Wolodarsky	...	Brendan (as Wally Wolodarsky)
Waris Ahluwalia	...	The Chief Steward
Irrfan Khan	...	The Father
Barbet Schroeder	...	The Mechanic
Camilla Rutherford	...	Alice
Bill Murray	...	The Businessman
Anjelica Huston	...	Sister Patricia Whitman
Mr. A.P. Singh	...	Taxi Driver (as A.P. Singh)
Kumar Pallana	...	Old Man
Dalpat Singh	...	Waiter
Trudy Matthys	...	German Lady #1 (as Trudy Mathis)

MPAA:

Rated R for language.

Runtime:

91 min

Country:

USA

Language:

English | German | Hindi | Sanskrit

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

Singapore:PG | Ireland:15A | Canada:14A (Alberta/Manitoba/Ontario) | UK:15 | Canada:G (Quebec) | Finland:K-11 | Canada:PG (British Columbia) | USA:R (certificate #43707) | South Korea:15 | Brazil:14 | Germany:6 | Sweden:11 | Hong Kong:IIB | Philippines:R-13 (MTRCB) | Portugal:M/12 | Netherlands:12 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Argentina:13 | Singapore:NC-16 (DVD rating) | New Zealand:M | Australia:M

Filming Locations:

India

Company:

Fox Searchlight Pictures

Trivia:

The fourth collaboration between Wes Anderson and Bill Murray after Rushmore (1998), The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004)

Goofs:

Factual errors: It is impossible for a train to be 'lost' on Indian Railways. It is SOP to default switches on mainline routes to 'trunk' positions. All unsignaled turnouts lead to dead-ends and have to be positively signaled for a train to be advanced down the track. A mistake (or a series of mistakes even) will not get the train more than a couple of kilometers before it derails on an auto-stop or dead-ends.

Quotes:

[first lines]
The Businessman: That's my train.

Movie Connections:

References Charulata (1964)

Soundtrack:

Arrival in Benaras

Nobody said his movies weren't difficult at times.

This is a film occupied with moments. Wonderful moments. It is not so much concerned with mechanics of plot but for me, it never got dull. Wes Anderson has matured in subtle ways and this film is a well crafted blend of the personal and the pageantry - Powell and Pressburger and Cassavetes. "The Rules of the Game" and "Husbands." "The Last Detail" and "The River."

The "spiritual journey" is used as pretext. Some people really don't like this. There is so much humor in watching three brothers stoned on Indian pharmaceuticals, trying to pray and getting sidetracked by arguments over stolen belts and confided secrets. They are flawed. People are flawed. Audiences tend to like their characters so likable that they are bland stereotypes. People can be privileged and disaffected AND still be beautiful and intriguing.

In the end, this movie is a fun ride. A stroll through various imaginative carts, occupied by compartments of colorful characters and incidents. Wes is further interweaving his "dollhouse" aesthetic with the real world. He is not so hung up on inventing every little thing and I could tell he was finding faces and peripheral details just as they were, waiting for him in India.

Nine bucks well spent for me. This guy's taking chances - some don't work. He's trying to push the medium forward in terms of tone. Some parts of his movies are difficult. Some people will get left behind. But for me, someone whose watched his films grow in scope and daring, I think he's an American treasure who may never arrive at the perfect film, but he'll continue to integrate cinema's history in new and exciting ways.