In rural Alabama, two couples find themselves in a fight for survival. Running from a maniac (The Tin Man) bent on killing them, they flee deep into the woods and seek refuge in a house. ... See full summary »
Roger Cobb is a Vietnam vet whose career as a horror novelist has taken a turn for the worse when his son Jimmy mysteriously disappears while visiting his aunt's house. Roger's search for ... See full summary »
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A young family moves into a historic home in Georgia, only to learn they are not the house's only inhabitants. Soon they find themselves in the presence of a secret rising from underground and threatening to bring down anyone in its path.
Chad Michael Murray,
In rural Alabama, two couples find themselves in a fight for survival. Running from a maniac (The Tin Man) bent on killing them, they flee deep into the woods and seek refuge in a house. They soon realize the killer has purposely lured them to this house and that they are now trapped. As they huddle around an old fireplace, a tin can falls through the chimney. Scrawled on its side is a message from the killer, establishing his House Rules. The rules call for their deaths unless they kill at least one of the four. They have less than 12 hours to find a way to survive. At sunrise the game is over and everyone dies if the killer's demands aren't met. What they quickly learn is that the only way out... is in. But going further into this house--where unknown challenges await them--is equally deadly. Written by
In the beginning, when Stephanie (Heidi Dippold) is in the car painting her toenails, the camera shows a close up of all of them painted. But, after a quick shot just before she pulls the newspaper up to view, you can clearly see that her right big toenail is still unpainted, even though in the previous shot, it was. See more »
Let me first say I watched it so you don't have to. House seems to be a film geared to horror movie fans, surfing along on the bet that people are going to appreciate seeing reenactments of familiar scenarios. So familiar in fact that it has a rip off quality to it, which ultimately comes across as lazy. The plot, if there is one, is about four extremely attractive young people, stranded at the same time in a house in the middle of nowhere. When WILL these youngin's learn not to drive their classic cars down dirt roads in the boonies? There's a creepy family out there, just waiting to freak their freaks. The house in question IS pretty cool, I wouldn't mind owning it. It's big and lit with green lights and decorated with serial killer wallpaper. Its basement is enormous and there are serious plumbing problems. Absolutely nothing justifies the R rating, this could have aired on the Sci-fi channel without edits. Was there a bribe on the part of the producers? "Please sir, give us an R, that'll bring 'em in expecting shocks and gore". This movie has a Texas Chainsaw-lite family, suggestions of Satanism, little girl ghost, crazed killer, vaporous black smoke, Spielberg like whispy thingies, gravity defying water, a thunderstorm that appears right on cue, no cell phone signals, several twists, and Michael Madson cashing a paycheck. You'd think, that with all this, there would be something to watch, but no. It goes in many directions, only to switch to another direction with no point, purpose or resolution. Awful.
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