Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational, and is churning out menacing food-animal hybrids.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
An outlaw cat, his childhood egg-friend and a seductive thief kitty set out in search for the eggs of the fabled Golden Goose to clear his name, restore his lost honor and regain the trust of his mother and town.
When Gru, the world's most super-bad turned super-dad has been recruited by a team of officials to stop lethal muscle and a host of Gru's own, He has to fight back with new gadgetry, cars, and more minion madness.
In 1895, Dracula builds a resort in Transylvania, hidden from the humans, to raise his beloved daughter Mavis in a safe environment. In the present, the place is the Hotel Transylvania, where monsters bring their families to vacation far from the frightening humans. Dracula invites his friends - Frankenstein and his wife Eunice; Wayne and Wanda, the werewolves; Griffin, the invisible man; Murray, the mummy; Bigfoot, among others - to celebrate the 118th birthday of Mavis. When the party is ready to start, the 21-year-old Jonathan is walking through the forest and stumbles upon the hotel. Dracula sees Jonathan and disguises him as a monster to hide Jonathan from the guests. But Mavis also sees Jonathan and Dracula forces him to pose as a monster. Soon Mavis believes that Jonathan is the "zing" of her life despite the advice of her father about humans. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While Eunice is playing Bingo, and has five cards infront of her with different dot patterns, all the cards have exactly the same numbers in all the same positions. When the shot pans to the old monster next to her, she also has the exact same bingo card. See more »
No, no, no, no, no. I didn't mean to starle you, my little baby. Shh, shh, shh.
[Dracula singing to baby Mavis]
Hush, little vampire, don't say a word / Papa's gonna bite the head off a bird
A-bitty-goo-bah! I vant to kiss your *tush.*
[Dracula kissing tush to baby Mavis and changes the diaper]
I vant to kiss your *tush!*
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The primary closing credits are presented by cartoon versions of the movie's characters. See more »
Count me among those who thought the movie was surprisingly good
After reading reviews that either disliked or were indifferent to Hotel Transylvania and being dubious because Adam Sandler(who has been in a lot of really bad movies recently) was in the lead role, I was unsure of whether to see the film. But my love for animation and the appetising trailer over-rode my doubts and I saw it anyway. And you know what, while The Pirates and ParaNorman were better animated movies from this year in my opinion I found Hotel Transylvania much better than expected. More could have been done with the relationship between Jonathan and Mavis, it is a romantic angle that has been used many times before and as well as feeling somewhat under-baked very little new was done with it. While a vast majority of the film is fast-paced with no real dull spots, some parts of the film did feel rushed. On the other point of view, the animation is excellent, the backgrounds are both beautiful and Gothic and that is the same with the colours. The characters are well-modelled. The soundtrack is catchy and upbeat, though some of the songs could have been more than just snippets. The writing is zany and often witty with a surprising amount of heart also.
The story is predictable, but not dull. It has a number of great moments, the genre references are not as inspired as they were in ParaNorman but they are fun to spot, and I loved a lot of the slapstick-in-style gags. Especially the zombie Beethoven, the scream cheese Hors-D'Oeuvres, the shrunken heads do not disturb tags and the digs at Twilight(much more fulfilling than any of the movies combined). But it does have a lot of heart. Is the over-protective father idea clichéd? Of course. But I did find it genuinely touching instead of overly-exaggerated as I have seen described. Dracula's past is also shown in a darkly emotional way. The characters are not the most memorable I have ever seen, but they do have their likability, my favourite here was Dracula. And the voice acting was surprisingly great, to me from a non-fan who has liked him in some movies(Punch Drunk Love, Reign Over Me, Spanglish and Happy Gilmore) and hated him in others(Jack and Jill, Going Overboard, Zookeeper and Mr Deeds) Adam Sandler gives one of his better performances of late in the role of Dracula, he is actually funny as well as emotive in alternative to irritating. Selena Gomez is endearing as daughter Mavis and Adam Samberg brings some heroism to Jonathan. Kevin James, David Spade, Jon Lovitz, Fran Drescher and especially Steve Buscemi give solid support. In conclusion, surprisingly good. 8/10 Bethany Cox
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