Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
In 1895, Dracula builds a resort in Transylvania, hidden from the humans, to raise his beloved daughter Mavis in a safe environment. In the present, the place is the Hotel Transylvania, where monsters bring their families to vacation far from the frightening humans. Dracula invites his friends - Frankenstein and his wife Eunice; Wayne and Wanda, the werewolves; Griffin, the invisible man; Murray, the mummy; Bigfoot, among others - to celebrate the 118th birthday of Mavis. When the party is ready to start, the 21-year-old Jonathan is walking through the forest and stumbles upon the hotel. Dracula sees Jonathan and disguises him as a monster to hide Jonathan from the guests. But Mavis also sees Jonathan and Dracula forces him to pose as a monster. Soon Mavis believes that Jonathan is the "zing" of her life despite the advice of her father about humans. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
(at around 5 mins) The license plate on Dracula's hearse is Romanian. This is correct, as Transylvania is now part of Romania. See more »
(at around 1h 19 mins) After Dracula chases the plane with Johnny on it, he crashes into Mavis' room and returns to his human form. When he appears through the smoke, his face is sunburned and there are hole burnt in his cape. In the very next shot, his skin is its usual pale white color and his cape is intact. What actually happens is that his cape,clothes and skin can be seen repairing themselves. See more »
[Runs after Quasimodo to rescue Jonathan, but is stopped by Mavis]
Mavis? Why are you still up? The sun is out. It could kill you, my honey-gut.
I couldn't sleep. You know where Jonny went?
I don't know. He -
[Turns around & eyes her down angrily]
Why do you want know?
See more »
At the opening, the Columbia Pictures "Torch Lady" turns into a bat. Other than the studio titles at the start and the movie's title after five minutes, there are no opening credits. See more »
Hotel Transylvania has a simple concept: classic campy monsters staying in a hotel where humans are not allowed because they think we're evil. It doesn't sound too fresh but it looks fun. Behind this concept is a father-daughter-relationship that seems to follow the footsteps of other great recent animated films. The result is, it's not getting there yet but it's still as delightful as it's suppose to be. It's one of those films that it's so crazy, you'll instantly like it. Most of the gags are clever and ridiculous. Overall, it's an endless fun entertainment.
Though, the film sometimes feels like a mediocre animated kids film. Generic family film elements are there but they are used in a different way. There is often slapstick and toilet humor but the gags are best when it's outrageously absurd. Every set pieces are swift, quirky, and exciting. The voices of the characters sound silly at glance but the actors made them pretty likable.
When the craziness slows down, there's a sweet bit of Dracula's relationship between Mavis and Jonathan, and some brooding. The drama is a little effective. It's not as strong as most recent animated films. It's more focused at being fun and hilarious. It's great when it stays to the roots of a cartoon like showing peculiar looking characters acting like lunatics. The best laughs are when the monsters are expressing their misanthropy in a ludicrously paranoid way, and when they're just making fun of each other. Mainstream pop culture song numbers kind of tone things down, but the song number at the end didn't affect the breathtaking and emotional climax.
Hotel Transylvania is good enough for the whole family even though it's raucous. Fans of the animation genre would enjoy this a lot more. Since it's directed by a cartoon expert, it contains a lot of absurd and exciting scenes that is similar to his shows. Although, some might expect something more since many animated films these days are deeper and powerful, leaving the old habits behind. Hotel Transylvania still has the heart but it's just not as compelling as the others. If you're in for the joys then this will give you a good time. My rating may be too high, but this my thing. I always enjoy this kind of animation.
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