The Knight Arn is sent on a last mission against Saladin. He has to win this battle, before he can go home to Sweden, and finally marry his Cecilia and start a family. But the peace back home is threatened by the Danes.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
The movie/series Arn: The Knight Templar contains several historical errors - for example is an all female choir seen in the first part or ep. 1, whereas a young Arn Magnusson (Joakim Natterqvist) first spots the love of his life Cecilia (Sofia Helin) in a Church choir. The historical problem is that the Roman Catholic Church had no female ensambles until maybe late mideval times in Europe or the Nordic countries. Choirs consisted of men or, in the 12th Century, boys who were able to sing in a higher tone than grown men. See more »
Arn's trial by the archbishop is highly anachronistic in many ways. First, the church did not have any say in matters of marriage at the time the events are supposed to happen. Such were a completely private matter between the families involved until at least early renaissance. A daughter becoming pregnant outside of marriage would be the subject of her father's wrath rather than that of the church. Second, a bishop passing sentence like that would be a political matter which would not go without debate as to whether it was under the jurisdiction of the church at all. Being a noble, Arn would be the subject of judgment by peers. Third, the sentence in itself is absurd, as the knights templar were not in any way under the command of the church (nor was its members subject to mundane law). The organization was not aimed at harboring a condemned criminal, on the contrary, joining the order would require donations, arms, servants and the trust of its other members (and a solemn ceremony and vow). Fourth, the cloister where Cecilia is ushered to has a lot more in common with 20th century orphanages than with any medieval monastery. Sending a girl into a monastic order would be the decision of the family, not a sentence made by a bishop. Fifth, with most of the members of monastic orders being either people joining voluntarily out of a spiritual call or nobles sent there by their family for education, physical punishment would not be issued as depicted. See more »
I don't understand. For killing two men I am set free, but for loving I am punished?
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It seems that most reviewers here want sword fights and action.
Arn is more interesting than that: it is a surprisingly complex film about honour and medieval notions of chivalry and values.
We REALLY enjoyed this - the characters are fleshed out and the plot develops at a drama pace, rather than at a dramatic pace. It seems a lot of thought went into the characterization and settings - this did cost $30,000,000 making it the most expensive Swedish film ever - and it did very well at the box office.
Those wanting just action had best look elsewhere those wanting both action and character, and a real exploration of the values of knighthood then this will definitely be your cup of tea and something to savour.
It is kind of like Braveheart in its values, and less like Kingdom of Heaven than you'd expect. Yes, it is quite elegiac, and that fits its Nordic roots well.
Overall, one of the better films about the crusades and the choices made for people living in a time when individual freedom was lost and subjugated to church and kings.
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