In a small town, Hélène is a family matriarch who has devoted her life to preserving the legacy of her artist uncle. However, while her eldest son, Frédéric, wants to preserve her home after her passing, she harbors no such illusions as she prepares her legacy. After her death, her children realize what she anticipated as they come to terms with their inheritance's place in their own lives. In the resulting disposition of their mother's assets, treasured heirlooms of a romantic family past drift away even as their changing modern world confronts the value of their memories. Written by
Kenneth Chisholm (email@example.com)
When the grandmother is opening the gifts in the first scene, she tears all the paper off of the book then when the camera angle switches, she pulls off some more wrapping paper, then in the third shot, the book is still partially covered in wrapping paper. See more »
He said to choose anything. l couldn't take advantage. l took something ordinary. What would l do with something valuable?
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Hélène Berthier, niece of a famous painter, receive her children and grand children for her birthday, and take this opportunity to talk about her death, and what will happen to her uncle's collection. Once dead, Frederic, her elder son think that they'll keep the house as it his, but his brother and sister don't live in France anymore and think that it would more intelligent to sell. When I was expecting the family to be destroyed around this heritage, nothing like that happens, they all accept and the rarity in the 21 century of families having things that could belong to museums takes an end. This film is extremely beautiful, for many reasons. First because it can touch everyone who lost someone and saw what was theirs, being sold and put in many places. Then this film is beautiful because it shows also how everyone accepts that but also suffers from what they can't keep together: family, past, heritage! To me it shows better than any Amelie, or La Vie en Rose what being French means: being thorn between the heritage of a culture and an appeal of modernity, wanting to keep your roots alive and spread toward the world. This is funny how this thought came through my mind "Why do they want to live in Beijing or New York?" suddenly being in the film, that seemed weird to me when I just lived two years and a half in London, and probably won't stay in my old country forever. The actors are great, Edith Scob playing the extremely classy Hélène, and Charles Berling, Jeremy Regnier and Juliette Binoche are very touching and human. It's important to say, that the object are also characters in this story, and it's scary at the end to see them in the museum d'Orsay, how they lost life or are recovering some. It's important to say that this film was a project with the museum, and I think that it is brilliant to make us pay attention to the details of these objects when generally we're not. Question: is art made for museum or to live with it? People wouldn't try to steal them from museum if the answer was museums If you want to see my other critics: http://www.silverparticules.blogspot.com
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