| Paul Schneider | ... | Tommy Macklin | |
| Olivia Munn | ... | Audrey Macklin | |
| Michael Yurchak | ... | Sommellier | |
| Wood Harris | ... | Darrell | |
| Kevin Heffernan | ... | Wade | |
| Nat Faxon | ... | Zig-Zag | |
| Lindsey Kraft | ... | Greta | |
| Constance Zimmer | ... | Mona | |
| Aisha Tyler | ... | Karen | |
| Jude Ciccolella | ... | Coach Stubbs | |
| Soren Hellerup | ... | Swedish Mechanic | |
| Tom Wright | ... | Butcher - Deli Worker | |
| Tommy Dewey | ... | Todd | |
| Sharon Maughan | ... | Dr. Roberts | |
| Tony Sancho | ... | Pedro | |
| Audrey Sonnier | ... | Farm Girl #1 | |
| Alena Savostikova | ... | Farm Girl #2 (as Alena Sav) | |
| Carrie Clifford | ... | Christian Woman #1 | |
| Sophia Marzocchi | ... | Christian Woman #2 | |
| Nikki Moore | ... | Jenny (as Nicole Moore) | |
| BJ Averell | ... | Jesus | |
| Ryan Falkner | ... | Flipoff Man | |
| Philippe Brenninkmeyer | ... | Dr. Vickery | |
| Helena Mattsson | ... | Tanya | |
| Will Chandrasekhar | ... | Billy | |
| Desi Lydic | ... | Julie | |
| Bill Fagerbakke | ... | Clark | |
| Jeanne Sakata | ... | Wanda | |
| Charlie Finn | ... | Sperm Bank Receptionist | |
| Michael Roos | ... | Security Guard | |
| Hayes MacArthur | ... | Lelsie Jenkins | |
| Marc Evan Jackson | ... | Jefferey | |
| Jay Chandrasekhar | ... | Ron Jon | |
| Collette Wolfe | ... | Allison | |
| Miles Fisher | ... | Groom | |
| Noureen DeWulf | ... | Bride | |
| Rick Overton | ... | Officer Raspler | |
| Wesley Freitas | ... | Officer Lee | |
| M.C. Gainey | ... | Officer Malloy | |
| Phillip Daniel | ... | Officer Hawk | |
| Jenica Bergere | ... | Officer Kanani | |
| Jason Piccioni | ... | Officer Pigeon | |
| Jennifer Ingrum | ... | Birthing Nurse | |
| Ray King | ... | Christopher | |
| James Grace | ... | Bus Driver | |
| Candace Smith | ... | Roxie | |
| Reva Rose | ... | Vickery Receptionist | |
| rest of cast listed alphabetically: | |||
| Keith Blomberg | ... | Art Gallery Extra (uncredited) | |
| Liam Culbertson | ... | Baby (uncredited) | |
Directed by | |||
| Jay Chandrasekhar | |||
Writing credits(WGA) | ||
| Peter Gaulke | (written by) & | |
| Gerry Swallow | (written by) | |
Produced by | |||
| Aaron Behl | .... | co-producer | |
| Jason Blum | .... | producer | |
| Jeanette Brill | .... | associate producer | |
| Jay Chandrasekhar | .... | producer | |
| Bailey Conway | .... | associate producer | |
| Gerard DiNardi | .... | line producer | |
| Stuart Ford | .... | executive producer | |
| Jessica L. Hall | .... | associate producer | |
| Brian Kavanaugh-Jones | .... | producer | |
| Steve Lemme | .... | co-executive producer | |
| Rick Osako | .... | associate producer | |
| Richard Perello | .... | co-executive producer | |
| Paul Soter | .... | co-executive producer | |
Cinematography by | |||
| Frank G. DeMarco | |||
Film Editing by | |||
| Brad Katz | |||
Casting by | |||
| Venus Kanani | |||
| Mary Vernieu | |||
Production Design by | |||
| Katie Byron | |||
Costume Design by | |||
| Tricia Gray | |||
Makeup Department | |||
| Tracy Manzo | .... | makeup department head | |
Production Management | |||
| Kaylene Carlson | .... | production supervisor | |
| Gerard DiNardi | .... | production manager | |
| James K. Jensen | .... | post-production supervisor | |
Art Department | |||
| Niko Hovartos | .... | prop master | |
| Daniel Vazquez | .... | set dresser | |
Sound Department | |||
| David Alvarez | .... | sound mixer | |
| Jeffrey Dyal | .... | dialogue editor | |
| Jeffrey Dyal | .... | sound effects editor | |
| Kevin Faber | .... | boom operator | |
| Dan Gamache | .... | sound editor | |
| Judah Getz | .... | adr mixer | |
| John-Thomas Graves | .... | adr mixer | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Mike McKone | .... | sound re-recording mixer | |
Visual Effects by | |||
| Ignacio Garcerón | .... | visual effects | |
| Diane Macke | .... | visual effects coordinator | |
| Matthew Massarella | .... | digital compositor (as Matt Massarella) | |
| Josh Miyaji | .... | visual effects artist | |
| Jason Piccioni | .... | visual effects producer | |
| Jason Piccioni | .... | visual effects supervisor | |
| Wilson Tang | .... | digital restoration | |
| Evan Underwood | .... | visual effects artist | |
| Matt von Brock | .... | CG supervisor: FuseFX | |
| Pablo Wang | .... | visual effects artist | |
Stunts | |||
| Stanton Barrett | .... | utility stunts | |
| Hunter Baxley | .... | stunt performer | |
| Seth Duhame | .... | Stunt Double: Paul Schneider | |
| Jeff Galpin | .... | stunt performer | |
| Chris J. King | .... | stunt driver | |
| Michael R. King | .... | stunt double: Kevin Heffernan | |
| Nicholas King | .... | stunts | |
| Rob King | .... | stunt coordinator | |
| Jimmy Ortega | .... | stunt double: Jay Chandreskhar | |
Camera and Electrical Department | |||
| Michael Ambrose | .... | gaffer | |
| Mark Colicci | .... | camera operator | |
| Justin Duval | .... | gaffer: additional photography | |
| Louie Escobar | .... | grip | |
| Peter Hawkins | .... | director of photography: second unit | |
| Daniel C. McFadden | .... | still photographer | |
| Johnny Medeiros | .... | key video assist engineer | |
| Francesco Sauta | .... | film loader | |
| Philip Shanahan | .... | first assistant camera: "a" camera | |
| Peter Villani | .... | additional cinematographer | |
Casting Department | |||
| Brandon Hemmerling | .... | casting assistant | |
| Jaceson Mann | .... | casting assistant | |
| Doug Ritzenthaler | .... | extras casting | |
Costume and Wardrobe Department | |||
| Amy Haffner | .... | set costumer | |
| Barbara Slade | .... | assistant costume designer | |
| Anni Speckheuer | .... | wardrobe supervisor | |
Editorial Department | |||
| Jill Bogdanowicz | .... | senior digital intermediate colorist | |
| Mark Sahagun | .... | digital intermediate editor | |
| Brian Swanson | .... | first assistant editor | |
| Darin Wooldridge | .... | home video mastering colorist | |
Music Department | |||
| Bryan Carrigan | .... | music editor | |
| Georg Brandl Egloff | .... | composer: additional music | |
| Chris Fogel | .... | music recording engineer | |
| Ann Kline | .... | music supervisor | |
| Julie Sessing | .... | music clearance | |
| Justine von Winterfeldt | .... | music coordinator | |
Transportation Department | |||
| Philip Bak | .... | transportation captain | |
| Anthony Detiege | .... | transportation | |
| J. Tom Jones | .... | driver | |
| James Messersmith | .... | driver | |
Other crew | |||
| Aaron Becker | .... | title designer: main titles | |
| Jesse Brooks | .... | assistant locations manager | |
| James Cluster | .... | first assistant accountant | |
| Elisa Forni | .... | script supervisor | |
| Brian Palmert | .... | location scout | |
| Christopher L. Perez | .... | production legal | |
| Chelsea Peters | .... | assistant: Mr. Blum | |
| Alex Saks | .... | assistant to Mr. Kavanaugh-Jones | |
| David Thornsberry | .... | location manager | |
Thanks | |||
| Ward Larsen | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Recently it seems as though several titles that have come out are missing something crucial that audiences tend to enjoy- subplot.
The film overall is enjoyable and has many funny moments. While the cast members are easy to like, aside from the Paul and Jay the others lack effective facial gestures that in comedy play equally important parts in terms of "punchline".
The pace of the movie is moderate and moves along well, but this is also where the story becomes a tad monotonous. Without a secondary story, or subplot that could have involved one, or more of the many supporting cast members the point, or purpose of the film travels in a straightforward line from A to B.
Moments in the movie begin to inspire a touch of heartfelt sensitivity (a great contrast to crass/controversial humor), but are cut short before delivering any lasting effects.
To be fair, the project was shot in a very short period of time (less than a month) and given the time frame the finished product is decent, however in the absence of a secondary plot it might have been better to create more suspense/keep the viewer guessing by having Paul (the lead male) refrain from divulging his "secret" that ends up being the basis for the final mission.