| Jesús Ochoa | ... | Diego | |
| Armando Hernández | ... | Juan | |
| Jorge Adrián Espíndola | ... | Pedro | |
| Paola Mendoza | ... | Magda | |
| rest of cast listed alphabetically: | |||
| Sean Andrew | ... | Police Officer #2 | |
| Leonardo Anzures | ... | Simon | |
| Luis Antonio Aponte | ... | Foreman | |
| Jean Brassard | ... | Restaurant Owner | |
| Barbara Danicka | ... | Polish Woman | |
| Eugenio Derbez | ... | Anibal | |
| Ricky Garcia | ... | Restaurant Worker | |
| Scott Glascock | ... | John | |
| Lev Gorn | ... | Rough-Shave | |
| Yarida Hernandez | ... | Woman | |
| Israel Hernández | ... | Ricardo | |
| Matthew Kehoe | ... | Art handler | |
| Jessica Kelly | ... | Pig-Tails | |
| Lenny Ligotti | ... | Police Officer #1 | |
| Edward McGinty | ... | US Border Patrol Officer | |
| Randall Newsome | ... | Truck Driver | |
| Don Puglisi | ... | Jimmy | |
| Greta Quispe | ... | Coat Check Girl | |
| Rajiv Rao | ... | Store Clerk | |
| Santos | ... | Cowboy Hat Mexican | |
| Jaime Santiago Sánchez | ... | Skinny Man / Old Worker | |
| Yury Tsykun | ... | Russian Man | |
| Juan Villarreal | ... | Shopkeeper | |
| Teresa Yenque | ... | Senora | |
Directed by | |||
| Christopher Zalla | |||
Writing credits(in alphabetical order) | ||
| Christopher Zalla | ||
Original Music by | |||
| Brian Cullman | |||
Cinematography by | |||
| Igor Martinovic | |||
Film Editing by | |||
| Aaron Yanes | |||
Casting by | |||
| Heather Hurley | |||
| Ellyn Long Marshall | |||
| Maria E. Nelson | |||
| Manuel Teil | |||
Production Design by | |||
| Tommaso Ortino | |||
Art Direction by | |||
| Parinaz Mogadassi | |||
Costume Design by | |||
| Taphat Tawil | |||
Makeup Department | |||
| Brenda Bush | .... | key hair stylist | |
| Brenda Bush | .... | key makeup artist | |
| Rebecca V. Goldstein | .... | assistant makeup artist (as Rebecca Goldstein) | |
Production Management | |||
| Louise Lovegrove | .... | unit production manager | |
Art Department | |||
| John Conners | .... | assistant art director | |
| Maximillia Del Toro | .... | art department coordinator: preproduction | |
| Rahi Ghasemi | .... | construction coordinator | |
| Catherine Graham | .... | set dresser | |
| Katherine Graham | .... | set dresser | |
| Jamie Iglehart | .... | assistant property master | |
| Mateo Massanet | .... | visual consultant | |
| Patrick McGowan | .... | property master | |
| Patrick McGowan | .... | property master | |
| Megan Szczecko | .... | set designer | |
| Jessica Watts | .... | buyer | |
Sound Department | |||
| Steve Borne | .... | sound re-recording mixer | |
| Tammy Douglas | .... | sound mixer | |
| Jeff Formosa | .... | sound editor | |
| Branka Mrkic | .... | dialogue editor | |
| Guillermo Pena-Tapia | .... | boom operator | |
| Mike Urdaneta | .... | boom operator | |
Visual Effects by | |||
| Benjamin Murray | .... | visual effects | |
| Mike Nuget | .... | visual effects | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Yennypher A. Fernandez | .... | wardrobe supervisor | |
| Jennifer Schilling | .... | wardrobe assistant | |
Editorial Department | |||
| David Leonard | .... | supervising editor | |
| Scot Olive | .... | digital intermediate colorist | |
| Ira Schweitzer | .... | dailies colorist | |
| Corey Stewart | .... | digital intermediate engineer | |
Music Department | |||
| Sasha Gordon | .... | composer: additional music | |
| Tricia Holloway | .... | music supervisor | |
Thanks | |||
| D.J. Martin | .... | thanks | |
| Mateo Massanet | .... | special thanks | |
| Matt Zalla | .... | special thanks | |
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| The Three Burials of Melquiades Estrada | Fast Food Nation | La Ciudad (The City) | Spanglish | Gattaca |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This may not be a great film, but it is a very good one. It's about two young men from Mexico who enter the US illegally and wind up in New York. It is in the convention of film noir, that is the characters, under the pressure of hard times their own weaknesses and their need to survive, are doomed from the start. Other reviews here have suggested that the plot is too contrived and unbelievable, but this is a feature of film noir, fate intervenes to frustrate the good impulses of the characters and accentuates the bad. I found the drama compelling and the characters believable. There is no moral here, no uplifting commentary; fate has them in its clutches and as in Greek drama the characters appear to have free will but are really caught up in the inevitable downward spiral.
I will not give away any of the plot twists but this film kept me guessing. Nothing was predictable or commonplace. There was no overt message about the plight of immigrants except the movie conveys a powerful impression of what it must feel like to be an illegal immigrant in a big city without money, friends or support. But the movie isn't a political tract, it is a gripping drama meant to entertain, not instruct. It is very like a lot of the 'B' movies of the 40s and 50s, products of entertainment which become art in themselves. On the other hand it reminded me a lot of "The Bicycle Thief" by Vittorio de Sica.