An odd couple take to the open road. Having followed his girlfriend out to California's Wine Country for the summer, Yale law student Sherman finds himself dumped, and cut off from his ... See full summary »
"Telling of the Shoes" chronicles a Manhattan dinner party that starts out good-natured, and turns unexpectedly dark as alcohol-fueled party guests eschew their mantles of reserve, turning quick-witting sparing into full-fledged skewering.
Marcus is a popular massage therapist who struggles with parasomnia, a severe sleepwalking disorder that causes him to do things in his sleep that he cannot remember the next day. When he ... See full summary »
Emma (Lacey Chabert) is a beautiful and a talented artist. Her husband, Brad (Ethan Embry), is a renowned psychiatrist. They have the perfect loving marriage. But Emma is having a few ... See full summary »
Axel the truck is in awe of Mike's aerobatic abilities and wishes he could fly like that. Mike can't blame Axel's hero worship - after all, what's good about being stuck on the ground like ... See full summary »
An odd couple take to the open road. Having followed his girlfriend out to California's Wine Country for the summer, Yale law student Sherman finds himself dumped, and cut off from his high-society mother's money. A stranger stranded in a strange land, he hitches a ride with Palmer, a washed-up, unapologetically eccentric Olympic athlete. There are detours along the way, including the possibility of an enlightening girlfriend, an encounter with a gun-wielding gourmet chef and a chance for the former athlete to be on top again. A comedy about absent fathers and damaged sons striving to find balance between responsibility and recklessness. Written by
Palmer's car is actually at least two different cars - a 1966 MGB and a 1975 model. This is apparent in different scenes, where sometimes the car has side lamps and reverse lamps (1975) and sometimes it doesn't (1966), and where the interior changes between solid black with visible rectangular door pulls (1975) and black with red piping (1966). See more »
The bag Sherman has slung over her shoulders keeps switching shoulders throughout the scene. See more »
Those guys are crazy. We should do it.
[suddenly kisses him]
Run with the Pundits? No thanks. It's a silly tradition.
Aw, is this because of your butt?
'Cause you think you have a fat butt.
You think I have a fat butt?
Please don't spoil your dinner. My mom will take it personally if you don't finish what her cook made for you.
[...] See more »
"Sherman's Way" is a tale of two unlikely buddies whose paths cross quite by accident in the fertile fields of the Napa Valley. One, Sherman Black, is an uptight little rich kid from Manhattan who's trying to get out from under the thumb of his domineering mother who has his entire future as a ladder-climbing corporate lawyer firmly mapped out for him. The other, Palmer, is a down-on-his-luck free-spirit who roams the countryside in his beat-up cherry-red sports car, not quite able to come to terms with the fact that, two decades earlier, he came in fourth place in an Olympics downhill skiing competition. After Sherman's girlfriend dumps him for being too unadventurous and vanilla for her taste, the befuddled yuppie heads to the open road to flag down a ride. Enter Palmer in his roadster and off the two strangers go, two polar opposites brought together by fate to learn from one another how best to get through life. And, though Sherman does most of the learning, he's still able to teach a great life-altering lesson to Palmer at the end. In very quick order, a strong bond is established between the two men, as they debate the relative merits of the carefree life vs. the corporate rat race with good-natured humor and aplomb.
Sherman is further helped along in his loosening-up process by Addy, an attractive young artist who shows the young man a thing or two about living in the moment and about the importance of actively pursuing the desires of one's heart.
"Sherman's Way" is a predictable but breezy small town comedy, filled with rapid-fire one-liners and charming, self-effacing performances from Michael Shulman, James Le Gros, Brooke Nevin and Enrico Colantoni. Smartly written by Tom Nance and sharply directed by Craig Saavedra, this topsy-turvy, slightly sentimental version of "Pygmalion" will leave you with a lump in your throat and a smile on your face.
And that Northern California scenery is as flavorful and fine as a fully-aged Napa Valley wine.
2 of 2 people found this review helpful.
Was this review helpful to you?