Selene, a beautiful warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
The prequel story traces the origins of the centuries-old blood feud between the aristocratic vampires and their onetime slaves, the Lycans. In the Dark Ages, a young Lycan named Lucian emerges as a powerful leader who rallies the werewolves to rise up against Viktor, the cruel vampire king who has enslaved them. Lucian is joined by his secret lover, Sonja, in his battle against the Vampire army and his struggle for Lycan freedom. Written by
While filming this movie, Michael Sheen was asked by Ron Howard if he could record a quick moment of dialogue for Frost/Nixon (2008). Sheen, covered in fake blood from the days filming, went to his trailer and recorded the dialogue. He asked someone to take a picture of him doing it and sent it to Ron Howard, who had it framed and displayed. See more »
Just before Lucian tears up the grate to go to Sonja, he is watching the vampires unceremoniously shove the Lycans around. In the first shot of him, his hair is completely out of his face, then it cuts back to the Lycans. In the next shot of Lucian, his hair is very in his face. Then, after another shot of the Lycans putting down axes and such, it goes back, and Lucian's hair is completely out of his face again. See more »
He is much of a disease as William's Pestilence. You need to bring your pet back.
Thank you Coloman, The Obvious escaped me! I do not need to lift a finger, Lucian will return of his own free will. I have something he wants
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"Rise of the Lycans", on the surface, makes a perfectly well working prequel. The loss of Kate Beckinsale and Scott Speedman is compensated by a great Rhona Mitra and especially Michael Sheen's titanic effort. The look and the action are amazing, considering the somewhat lower budget, and the story makes sense to prepare us all for the things to come in the other two movies. All in all, the trilogy is round now and does not disappoint in any department, unless you are taking everything a bit too literally and wonder how werewolves can make babies.
It is interesting, however, to peek below the surface. The makers mentioned in interviews they see similarities to "Romeo & Juliet" insofar as Lucien and Sonja are lovers not allowed to get together. One crucial difference, however, is that Romeo and Juliet came from two noble families, whereas in "Rise of the Lyans", Sonja is a member of the aristocratic pale vampire rulers, who are sipping glasses of blood on the castle, while Lucien is with the ugly, hairy slaves, the werewolves exploited as cheap labor force. We don't really get to see what this work consists of except carrying stones around. Also the love story isn't explained enough in the running time of not much more than 80 minutes PAL until the credits start to roll. But the point is that "Rise of the Lycans" is a hardly disguised class struggle story. Similar to the Italian socialist cinema of the 1960s which would show the rebellion of poor farmers against the rich property owners, the working class has to realise their value (in Lucien's words: "we are more than animals") and claim their human rights. When Lucien says "this is just the beginning", it may seem to the audience that he jokingly refers to other other two movies which have shown us already how the story continues after this prequel. In the subtext, though, he is making a very serious statement that freedom is the foundation of a life worth living, and everything else will be built up now upon this basic condition. It's a pity that the movie doesn't elaborate more on that and doesn't spend some additional time on the character development, either, because it could have been the best of the trilogy. Alas, I voted almost equally 8-7-7 for the three movies.
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