OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.
Claus Hansen Petz,
During the year 2000 Geyrhalter and his teams travelled to a different destination each month, looking for places untouched by the millennium hysteria. Locations include Niger, Finland, ... See full summary »
Fort Worth, Texas: a little known museum Mecca in the heart of the American West, home to three of the most important collections in the United States. Here in 1997, the Modern Art Museum ... See full summary »
Heinz Bütler interviews Henri Cartier-Bresson (1908-2004) late in life. Cartier-Bresson pulls out photographs, comments briefly, and holds them up to Bütler's camera. A few others share ... See full summary »
Visual Acoustics celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. ... See full summary »
Rarely has an architect caused as much sensation outside of the architecture community as Rem Koolhaas. His outstanding creations--such as the Dutch Embassy in Berlin, the Seattle Library ... See full summary »
Jennifer Baichwal's cameras follow Edward Burtynsky (1955- ) as he visits what he calls manufactured landscapes: slag heaps, e-waste dumps, huge factories in the Fujian and Zhejiang provinces of China, and a place in Bangladesh where ships are taken apart for recycling. In China, workers gather outside the factory, exhorted by their team leader to produce more and make fewer errors. A woman assembles a circuit breaker, and women and children are seen picking through debris or playing in it. Burtynsky concludes with a visit to Shanghai, the world's fastest growing city, where wealth and poverty, high-rises and old neighborhoods are side by side. Written by
I have mixed feelings on this film. On the one hand the images are stunning, desolate and beautiful. The photographer proves there can be beauty even in ecological devastation, which is really a foreign concept. The segments on the Three Gorges Dam and the shipbreaking beach in Bangladesh are fascinating.
On the other hand, the film often is a slide show of images without narration. When that happens it seems very, VERY slow. I know the director probably wants us to be able to absorb these images without being distracted by narration, but it makes for a mind numbing experience.
In the "special features" there was lots of fascinating narration - if they had added this to the film I would have enjoyed it more.
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