While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Romantic comedy: Will Hayes, a 30-something Manhattan dad is in the midst of a divorce when his 10 year old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will's story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as a idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women. On the campaign, Will's best buddy is Russell McCormack. They not only have similar political aspirations, they share the same type of girl problems, too. Will hopelessly attempts a "PG" version of his story for his daughter ad changes the names so Maya has to guess who he finally married. Is her mother Will's college sweetheart, the dependable girl next-door Emily? Is she his longtime ... Written by
In the Directors commentary, director Adam Brooks stated that Robert De Niro stayed in the building behind the rooftop where April and Will were practicing proposing. See more »
The cell phone number that Emily gives Will at Summer's party has a 212 area code. At that time, the 212 area code was for NYC land lines only. See more »
You're the toilet paper guy.
Yes, I am in fact the toilet paper guy, but feel free to cal me the bagel-and-coffee guy. Or, Todd in accounting calls me Chrystal, which I'm pretty sure is a girl's name.
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For some people, the romantic comedy genre is there to be sneered at. It's a lower art form subscribed to by the uneducated masses, the same plot regurgitated through a word processor with names, dates and locations changed: ("Girl meets boy, she's feisty, he's snobbish, they don't see eye to eye - How oh how are they ever going to end up together by the end of the movie?"). Admittedly, I'm not the biggest advocate of the ol' romcom, but this film falls into the "watchable" category of romantic comedy. Of course it's phoney and sugar-coated. Of course it has no resemblance to real life -
For goodness' sake it's a romantic comedy! If it wasn't shallow and improbable it'd be called a "drama"! I don't understand people who post comments on this site, taking potshots at films like this for being dumb and schmaltzy. Look at the poster before you go in. If it's got young people with good teeth on the poster, the title is a bit twee and the font is in pastel shades, chances are, it's a romantic comedy. If you don't like that kind of thing don't go in!
Anyway, my girlfriend took me to see this film yesterday (missed Cloverfield) but it was OK. Seriously. It was OK.
Ryan Reynolds is a solid enough lead, with enough comic talent to keep things ticking over. Abigail Breslin is charming too. Kevin Kline seems to growing gracefully into more senior roles, and Rachel Weisz, Elizabeth Banks and Isla Fisher are all comfortable enough as Reynold's love interests.
The script isn't belly-laugh funny but it has it's moments, there's some good use of news footage from the time in which the story is set, and the plot ticks over nicely. There's also a bit of guessing for the audience too, and my bet is you'll stay to end if only to find out how it finishes.
So there it is: a better than average romantic comedy. Not weighty. Not cerebral. Not challenging. Just a mildly diverting story, about a nice bunch of nice looking people having a nice time and getting their nice little lives sorted out. Nicely.
To give this film the scathing it's had in some quarters, is like a food critic cruelly reviewing a bag of crisps. That is to say this film is not meant to be "food for thought" it's just a snack. And if you get your kicks out of inflating your own ego by raving about how much a dumb film like this offended your sensibilities, then "for shame!" is all I can say. You weren't led blindfolded into the cinema. You knew what you were getting into. It should have been obvious from the poster that this film is a romcom.
Trust me, as a man that's been dragged to more than his fair share of romcoms, this one is by no means bad.
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