While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Romantic comedy: Will Hayes, a 30-something Manhattan dad is in the midst of a divorce when his 10 year old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will's story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as a idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women. On the campaign, Will's best buddy is Russell McCormack. They not only have similar political aspirations, they share the same type of girl problems, too. Will hopelessly attempts a "PG" version of his story for his daughter ad changes the names so Maya has to guess who he finally married. Is her mother Will's college sweetheart, the dependable girl next-door Emily? Is she his longtime ... Written by
When Will and Summer are called to the hospital, a nurse tells them that Hampton has suffered an "aortal rupture." In medical terminology, all terms relating to the aorta are "aortic". There is no such word as aortal. Notwithstanding this, an aortic rupture is a life threatening condition. Anyone who has this would either be dead or in the Intensive Care Unit heavily sedated, not conversing easily like Hampton was. At the very least, he should have had a blood transfusion bag hanging over his bed. See more »
One guy and the four loves of his life. Writer-director Adam Brooks paints a very romantic tale that I could have seen some personal relation to, and reinforces the notion that perhaps timing is everything. You may have met the most perfect person whom you believe to be able to forge a relationship with, but circumstances sometimes will decide otherwise, and when it happens, it's way beyond one's control.
Abigail Breslin burst onto the scene with Little Miss Sunshine, and hasn't been looking back since. Given Dakota Fanning's been past her age for such roles (yeah, they disappear come adolescent and may return once they enter young adulthood), Breslin's now having the world fawn over her performances (next up, Nim's Island), and here she has great chemistry with Ryan Reynolds, even if Reynolds might look a little too young to be playing her dad.
But Definitely, Maybe's not all about Breslin as it serves more of a romantic comedy with Ryan Reynolds taking on the lead man-boy role as the father who has to satisfy the curiosity of his daughter Maya (Breslin), who's given a headstart in life thanks to a rather candidly explicit sexual education lesson. In wanting to find out if she's an accident because of her parent's impending divorce, she gets her dad to recount his love life history in a romance- mystery, changing names in order for her to guess who her mom is.
And so begins a tale which harks back to college days where most of us have their perennial sweetheart, and from there we follow Will Hayes (Reynolds) as he goes to New York to work on the Democrat ticket for Bill Clinton's election. Then on he meets the other 2 lovers April (Isla Fisher), the photocopy girl who bickers and banters with him in office, and Summer (Rachel Weisz), who's into much older men.
It's probably easy for me to connect with the messy love life of Will's as he flits into and out of favour and love with all three women at one point in time or another, what with his long distance relationship not working out with Emily (Elizabeth Banks), having sharing instant connection with April but they're always seeing different partners and being unavailable, and with Summer, it boiled down to professional differences having to take its toil on the relationship, because one's not willing to sacrifice for the other. I thought these were really real issues that would creep in and how well it works out, will again depend on timing and circumstances.
But the mystery portion turned out to be somewhat a letdown as it was abruptly solved, perhaps knowing that the game is up and there's nothing else interesting to hold it down together. That doesn't detract the movie from moving on to the more important last act though, which I found to be immensely moving, well, again based on personal reflection on what could be. The other moment that stood out (I told you this was quite personal) was that bit on the brushing of the hair. I remembered quite clearly I was on the receiving end of something like that too, which took me by pleasant surprise when it happened. It's easy too with Will, as his taking a hiatus from the dating scene to focus on his professional life, resembled my mindset at some stage too.
Anyway, what also made the movie stand out, was its setting in and weaving through the 90s tracing Bill Clinton's rise and fall, a period where I and some of you, grew up in, what with all the pop culture of the time referenced, as well as the music. The soundtrack's peppered with songs that defined the era (Nirvana, anyone?) and having Massive Attack on it, is always a massive boost for me since they're one of my favourite trip-hop bands. A Clint Mansell score on top of it all, makes this movie musically a breeze to sit through.
Definitely, maybe a winner? But of course! It's definitely highly recommended, and goes into my books as a contender for movie of the year since I enjoyed so many moments of it, cheesy goosebumps and all. Oh, and I would surely welcome and get for myself those wireless earphones.
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