| Cast overview, first billed only: | |||
| Kazunari Ninomiya | ... |
Kuro /
Itachi
(voice)
|
|
| Yû Aoi | ... |
Shiro
(voice)
|
|
| Yûsuke Iseya | ... |
Kimura
(voice)
|
|
|
|
Kankurô Kudô | ... |
Sawada
(voice)
|
| Min Tanaka | ... |
Suzuki
(voice)
|
|
|
|
Rokurô Naya | ... |
Jitcha
(voice)
|
|
|
Tomomichi Nishimura | ... |
Fujimura
(voice)
|
|
|
Mugihito | ... |
Kumichô
(voice)
|
| Nao Ohmori | ... |
Chokora
(voice) (as Nao Ômori)
|
|
|
|
Yoshinori Okada | ... |
Banira
(voice)
|
|
|
Kazuko Kurosawa | ... |
Kozô
(voice)
|
|
|
Tomoko Murakami | ... |
Kozô
(voice)
|
|
|
Miyuki Ohshima | ... |
Kozô
(voice)
|
|
|
Yûki Tamaki | ... |
Asa
(voice) (as Yukiko Tamaki)
|
|
|
Mayumi Yamaguchi | ... |
Yoru
(voice)
|
In Treasure Town, life can be both peaceful and violent. This is never truer than for our heroes, Black and White - two street kids who claim to traverse the urban city as if it were their own. But in this town, an undercurrent of evil exists and has its sights set on the pair of brothers, forcing them to engage in battle with an array of old-world Yakuza as well as dangerous assassins vying to rule the decaying metropolis, Treasure Town. Written by Trenton Thompson {trentz985@yahoo.com}
If not quite the genius level of Miyazaki, this is still different, thoughtful and original.
It involves two 13 year old boys, Black and White, who live in a run down imaginary city, and who have to fight developers who want to take the city over, and in the process destroy it.
Black is dark and angry and needs White's almost Down's syndrome like simplicity and sweetness to balance him.
Obvious and heavy handed on a symbolic level, ('Black' and 'White' as character names?) some of the animation is breathtakingly beautiful, although the faces of the characters lack a certain expressivity. It's more the backgrounds, the world itself, and the sort of mock stedicam moving shots that are so striking.
See this in a theater, or at least on a great TV via blu-ray if possible. It's such a visual piece, that seeing it in any lesser way makes it likely to miss the film's greatest strengths.