4.8/10
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The Spirit (2008)

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Rookie cop Denny Colt returns from the beyond as The Spirit, a hero whose mission is to fight against the bad forces in Central City.

Director:

Writers:

(screenplay), (comic book series)
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Popularity
2,013 ( 1,392)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dan Gerrity ...
Detective Sussman
Arthur the Cat ...
Himself
Kimberly Cox ...
Damsel in Distress
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Thug 1 (as Brian Lucero)
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Thug 2 (as David B. Martin)
Larry Reinhardt-Meyer ...
Officer MacReady
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Pathos, etc.
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Storyline

Down these mean streets a man must come. A hero born, murdered, and born again. When a Rookie cop named Denny Colt returns from the beyond as The Spirit, a hero whose mission is to fight against the bad forces from the shadows of Central City. The Octopus who kills anyone unfortunate enough to see his face who has other plans. He's going to wipe out the entire city. The Spirit tracks this cold hearted killer from the city's rundown warehouses, to the damp catacombs, to the windswept waterfront all the while facing a bevy of beautiful women who either want to seduce, love or kill the masked crusader. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Down these mean streets a man must come. A hero born, murdered, and born again. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of stylized violence and action, some sexual content and brief nudity | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

25 December 2008 (USA)  »

Also Known As:

Will Eisner's The Spirit  »

Filming Locations:

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

$6,463,278 (USA) (26 December 2008)

Gross:

$19,781,879 (USA) (16 January 2009)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The character, Morgenstern, the name means "morningstar" in German / dutch See more »

Goofs

The soles of The Spirit's signature Converse-style shoes switch back and forth between black and white. This is intentional and matches how Frank Miller would draw the shoes. When the bottoms are featured, they are white. Otherwise the shoes are black on black. See more »

Quotes

The Spirit: [Wakes up after being unconscious] What smells dental?
The Spirit: [Looks around at Nazi decorations, and realizes he's tied to a Dentist chair] Dental and Nazi. Great.
See more »

Crazy Credits

In the opening credits, the title of the film is the very last thing shown. Typically, the title appears early in the credits, and "directed by" is the final credit. See more »

Connections

Featured in Troldspejlet: Episode #41.19 (2009) See more »

Soundtracks

Deutschland Uber Alles
Performed by Captain Helmut Witten and the German Airforce Band
Written by Joseph Haydn
Courtesy of Legacy International
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Frequently Asked Questions

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User Reviews

 
A flawed but fun-filled romp.
20 December 2008 | by (Halifax, Nova Scotia) – See all my reviews

I love the interview with Lorenzo Semple Jnr, screenwriter for 'Flash Gordon,' when he suggests that the film would have been a big hit if only they'd been able to market it as a movie that would be a cult classic in thirty years. He goes on to explain what the core problem is: A cult film, by definition has fanatical supporters ... just not a lot of them. Those who 'get' the film will keep it alive forever, but Joe Moviegoer won't care if he ever sees it again. And so I turn to 'The Spirit,' a film which has similar qualities to 'Flash Gordon': bad enough to be awesome, tongue firmly in it's cheek and gentle satire in it's hand.

'The Spirit' manages to be wondrous and infuriating. A visual feast, Frank Miller was the perfect choice to bring the film to life. On the other hand, the dialogue is often so cheesy and the characters so over the top that the movie never allows you to be lulled into that wonderful moment of forgetting that you're watching a movie. There isn't a single character in the movie who talks like a real person. They all talk like, well, comic book archetypes: gruff commissioner, megalomaniacal super villain, brilliant evil assistant, sultry femme fatales, loyal and uninteresting love interest, and on and on. Take Samuel L Jackson's character, 'The Octopus' for example. It is a character that Jackson was born to play and Sam throws every ounce of his endlessly entertaining and over the top style into the character. It works and he plays the part brilliantly because he takes ridiculous dialogue and ridiculous material and has wild amounts of fun with it. The cast, by and large, follow his lead. Scarlett Johansson is hilariously withering with her acerbic barbs to The Octopus' clone lackeys, all of whom are played with deadpan wit and verve by Louis Lombardi. It is hard, in fact, not to feel some pity for Gabriel Macht who has to play Bud Abbott to a cast of rollicking, scene-chewing Lou Costellos in an over-acting competition. It all works wonderfully if you're willing to view the film as, uncharitably, being unintentionally funny or more genuinely as a gentle lampoon of comic book films by one of the great figures of the graphic novel genre.

Frank Miller takes 'The Spirit' and has great fun with it. It is quirky at times, ham-handed at times, but lovingly made. A brilliant Noirist, Miller actually has much better luck in 'The Spirit' in moments of levity. The noir angles of this film don't work unless designed as a kind of self-righteous satire. The noir feels forced and dramatic moments are mercilessly skewered by the corny dialogue that a helpless Gabriel Macht delivers with straight-laced determination. 'The Spirit' has the look of 'Sin City' and the heart of 'Flash Gordon.' When it works, it works well, but the film is a terrible mess whenever it is trying to be serious.

So is it worth the ride? I think so if you go in with the proper expectations. There's not really anything new visually if you've seen 'Sin City' or '300' -- both Miller works of course -- but that didn't make them any less interesting to me. Plenty of humour where it may or may not have been planned and the potential to be a cult classic. This is the kind of movie you can best enjoy in the company of friends and a cold six pack. Look for diamonds and you're looking for too much. And if nothing else, Eva Mendes has never looked better on film than she does here. That's got to stand for something, right?


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