| Photos (See all 64 | slideshow) | Videos (see all 13) |
| Joaquin Phoenix | ... | Ethan Learner | |
| Elle Fanning | ... | Emma | |
| Jennifer Connelly | ... | Grace Learner | |
| Sean Curley | ... | Josh | |
| Samuel Ryan Finn | ... | Cello Player | |
| Eddie Alderson | ... | Lucas | |
| Mark Ruffalo | ... | Dwight Arno | |
| Susan Powell | ... | Elegant Parent | |
| Cordell Clyde | ... | Jimmy McBride (as Cordell Clyde Lochin) | |
| Antoni Corone | ... | Sergeant Burke | |
| Kevin Herbst | ... | Driving Trooper | |
| Mira Sorvino | ... | Ruth Wheldon | |
| Gary Kohn | ... | Norris Wheldon | |
| John Slattery | ... | Steve Cutter | |
| Nora Ferrari | ... | Nora Fannelli | |
| Linda Dano | ... | Grandmother | |
| John Rothman | ... | Minister | |
| Geisha Otero | ... | Blanca | |
| Brett Haley | ... | Brett | |
| Sinead Daly | ... | American Girl | |
| Armin Amiri | ... | Rashid | |
| Johnathan Tchaikovsky | ... | Jock (as Johnny Tchaikovsky) | |
| Lee Goffin-Bonenfant | ... | Student | |
| Americk Lewis | ... | African American Student | |
| Danny Johnson | ... | Investigating Trooper | |
| Bill Camp | ... | Desk Trooper | |
| Stephanie Weyman | ... | Cheryl | |
| Raum-Aron | ... | Gerry | |
| Debra Robinson | ... | Parent | |
| Michael Anzalone | ... | Dwight's Neighbor | |
| David Anzuelo | ... | Raul | |
| Julián Rebolledo | ... | News Announcer (voice) | |
| Peter Pamela Rose | ... | News Announcer (voice) | |
| Kathryn Markey | ... | News Announcer (voice) | |
| Ross Klavan | ... | News Announcer (voice) (as Ross Klaven) | |
| Sean Oliver | ... | Podcast (voice) | |
| Blanca Camacho | ... | Podcast (voice) | |
| Jason Harris | ... | Podcast (voice) | |
| rest of cast listed alphabetically: | |||
| Dennis Albanese | ... | Father (uncredited) | |
| David Boston | ... | Motorist (uncredited) | |
| Mary Kate Malat | ... | Child in Recital (uncredited) | |
| Eric Minor | ... | Amusement Park Worker (uncredited) | |
| Robert Nardi | ... | Amusement Park Parent (uncredited) | |
Directed by | |||
| Terry George | |||
Writing credits(WGA) | ||
| John Burnham Schwartz | (screenplay) and | |
| Terry George | (screenplay) | |
| John Burnham Schwartz | (novel) | |
Produced by | |||
| A. Kitman Ho | .... | producer | |
| Dean M. Leavitt | .... | executive producer | |
| Gina Resnick | .... | executive producer | |
| Nick Wechsler | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| John Lindley | |||
Film Editing by | |||
| Naomi Geraghty | |||
Casting by | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
Production Design by | |||
| Ford Wheeler | |||
Art Direction by | |||
| Kim Jennings | |||
Set Decoration by | |||
| Chryss Hionis | |||
Costume Design by | |||
| Catherine George | |||
Makeup Department | |||
| Jerry DeCarlo | .... | department head hair (as Jerrold DeCarlo) | |
| Lori Hicks | .... | department head makeup | |
| Sandra Linn Koepper | .... | key makeup artist | |
| Jackie Payne | .... | key hair stylist (as Jacqueline Payne) | |
| Joseph Whitmeyer | .... | hair stylist | |
Production Management | |||
| Kelley Cribben | .... | post-production supervisor | |
| David Gerson | .... | executive in charge of production | |
| Lori Johnson | .... | unit production manager | |
Sound Department | |||
| Gary Alper | .... | sound | |
| Scott Cannizzaro | .... | adr engineer | |
| Bob Chefalas | .... | additional sound re-recording mixer | |
| Rick Chefalas | .... | first assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Michael J. Fox | .... | adr mixer | |
| Suzanne Goldish | .... | sound intern | |
| Lewis Goldstein | .... | supervising sound editor | |
| Lawrence Herman | .... | sound re-recordist | |
| Bret Johnson | .... | sound re-recordist | |
| Craig Kyllonen | .... | adr recordist | |
| George A. Lara | .... | foley mixer | |
| Allen Lau | .... | apprentice sound editor | |
| Paloma Mele | .... | assistant adr editor | |
| Tyler Parkinson | .... | pre-record engineer | |
| Lenny Rabinowitz | .... | adr recording engineer | |
| Bobby Roelofs | .... | additional sound utility | |
| Jac Rubenstein | .... | dialogue editor | |
| Wyatt Sprague | .... | sound effects editor | |
| Jason Stasium | .... | ProTools playback mixer | |
| Jason Stasium | .... | sound utility | |
| Paul Urmson | .... | sound | |
| Steven Utt | .... | adr recordist | |
| Steven Visscher | .... | supervising foley editor | |
| Deborah Wallach | .... | adr editor | |
| Rusty Dunn | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Doug Coleman | .... | special effects coordinator | |
Visual Effects by | |||
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Christopher Ian Hayes | .... | digital effects artist | |
| Ted Markovic | .... | digital effects artist | |
| Robert Pik | .... | Flame operator | |
| Bob Wiatr | .... | digital effects compositor: Pacific Title | |
| Tony Noel | .... | digital compositor (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aquilar) | |
| John Cenatiempo | .... | stunts | |
| Peter Epstein | .... | stunts | |
| Paul Marini | .... | stunts | |
| Eddie Micallef | .... | stunts | |
| Stephen A. Pope | .... | stunt coordinator (as Stephen Pope) | |
| Bryan Farrell Wilson | .... | stunts | |
| John Cenatiempo | .... | stunt driver (uncredited) | |
| Anthony Molinari | .... | stunt double: Mark Ruffalo (uncredited) | |
Casting Department | |||
| Sophia M. Costas | .... | extras casting | |
| Lee Genick | .... | extras casting | |
| Jocelyn E. Thomas | .... | casting associate | |
Costume and Wardrobe Department | |||
| Michael Anzalone | .... | costume supervisor | |
| Cameron Folan | .... | costume production assistant | |
| Erica Furey | .... | additional wardrobe (as Erika Furey) | |
| Rebecca Hofherr | .... | assistant costume designer | |
| Kathy Karbowski | .... | costume supervisor (as Katherine Karbowski) | |
| Kate Quinlan | .... | key costumer | |
| Lauren Valentine | .... | costume production assistant | |
Editorial Department | |||
| Gilbert Carreras | .... | film color timer | |
| Chris Gennarelli | .... | dailies colorist | |
| Gardner Gould | .... | post-production intern | |
| Jennifer Lame | .... | apprentice editor | |
| Jennifer Lilly | .... | assistant editor | |
| Arturo Sosa | .... | first assistant editor | |
Music Department | |||
| Constance E. Barrett | .... | cello tutor: Sean Curley | |
| Christine Bergren | .... | music legal and clearance | |
| Budd Carr | .... | music supervisor | |
| Joseph S. DeBeasi | .... | music editor | |
| Nora Felder | .... | music supervisor | |
| Andrew Findon | .... | musician: clarinet solos (as Andy Findon) | |
| Matt Franko | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Mark Isham | .... | musician: piano solos | |
| Cindy O'Connor | .... | orchestrator | |
| John Orford | .... | musician: bassoon solos | |
| Michael Perfitt | .... | producer: additional music | |
| Michael Perfitt | .... | writer and performer: original song | |
| Victor Pesavento | .... | music preparation | |
| Simon Rhodes | .... | music scoring mixer | |
| D'Anne Rygg | .... | piano instructor: Elle Fanning | |
| Dennis S. Sands | .... | music scoring mixer | |
| James Shearman | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| Kathleen Theisen | .... | piano instructor: Elle Fanning | |
| Jonathan Williams | .... | musician: cello | |
| Jonathan Williams | .... | musician: principal cello | |
Transportation Department | |||
| Edward Devereaux II | .... | transportation co-captain | |
| Amber R. Kirsch | .... | transportation | |
| Charles Spillane | .... | transportation captain | |
| Timothy Stephens | .... | driver: honeywagon | |
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| The Sweet Hereafter | The Human Stain | Mystic River | The Usual Suspects | A History of Violence |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A full six months after Reservation Road was supposed to release in theaters (it did, only in a very quiet handful), the film is finally, and again, very quietly put out on DVD. I had been looking forward to this film for some time and had been shocked by it's ill-treatment from Focus Features. After receiving it from Netflix and viewing it, I went out the very next day to purchase it. Where I was expecting a slow, wrenching exploration of grief and loss, this film actually surprised me with an untold amount of suspense and thrills. It certainly is not a "thriller" perhaps, but where the story goes and how these characters react leaves you on edge in several instances where you're not only unsure of what they will do next, but you're not sure what you would do next.
I had read a lot about this movie before seeing it, so there were some reveals that I already knew about from my own curiosity as well as some misguided choices in what is shown in the trailer. I would have liked to see it fresh, so I will give plot points sparingly. Ethan and Grace Lerner (Joaquin Phoenix and Jennifer Connelly, respectively) are a well-to-do couple living in an affluent Connecticut town who lose a child in a hit and run accident. Dwight Arno (Mark Ruffalo) is speeding home to deliver his young son to his ex-wife (Mira Sorvino) and leaves the scene. The unfolding story effectively explores how the Lerner family struggles to cope with an unimaginable loss to an unknown perpetrator, and how Dwight wrestles with his fragile conscience while trying to hide his crime from the authorities. I think it works better to not know how Ethan and Dwight meet and proceed to dance around this event, but when they do, is when the real enjoyment of this film begins.
Sorvino does a fine job, and Connelly, in a larger and more difficult role, does a very good job, but this film belongs to the male leads. Ruffalo is great playing a seemingly decent man who commits a heinous crime he desperately tries to hide. This is Ruffalo's best work to date and if this film had been appropriately marketed and acknowledged, it would have been a breakout for him.
As our main lead, Phoenix is just wonderful. Ethan is a devoted husband and father whose world suddenly ceases to make sense following this tragedy and seeing him pull away from his family as he gets lost in his depths of grief and fanatical in his quest to find the killer gives Phoenix room to further display his remarkable range. An actor who is blessed with naturalness and unbridled by affectations and shortcut tendencies, his portrayal of a man eaten away by unspeakable sorrow and incalculable rage is harrowing. There is a confrontation scene late in the film when Ethan is so incensed he's physically shaking, his words come out as a jumbled growl, and it's startling to witness. Seeing Phoenix actually show that level of anger makes you wonder how or what he did to get to this place. That I can't know, but I do know that it's terrifying to see this man come undone from the inside out.
Reservation Road is sad, but it doesn't wallow in a way that feels exploitive or cheap. It's a dual journey into one man's struggle to deal with a tragedy that feels beyond him, and the cowardice and humanity of a hunted man dogged by his own shaken ethics. This is a provocative, moving story that really deserves to be seen.