On a warm September evening, college professor Ethan Learner, his wife Grace, and their daughter Emma are attending a recital. Their 10-year-old son Josh is playing cello - beautifully, as ... See full summary »
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On a warm September evening, college professor Ethan Learner, his wife Grace, and their daughter Emma are attending a recital. Their 10-year-old son Josh is playing cello - beautifully, as usual. His younger sister looks up to him, and his parents are proud of their son. On the way home, they all stop at a gas station on Reservation Road. There, in one terrible instant, he is taken from them forever. On a warm September evening, law associate Dwight Arno and his 11-year-old son Lucas are attending a baseball game. Their favorite team, the Red Sox, is playing - and, hopefully, heading for the World Series. Dwight cherishes his time spent with Lucas. Driving his son back to his ex-wife, Lucas' mother Ruth Wheldon, Dwight heads towards his fateful encounter at Reservation Road. The accident happens so fast that Lucas is all but unaware, while Ethan - the only witness - is all too aware, as a panicked Dwight speeds away. The police are called, and an investigation begins. Haunted by the ... Written by
At 1:21-1:22, when Ethan is in Luke's room and sees a picture of Luke and Dwight it is a horizontal picture. Yet when he picks it up, it is a vertical picture. There is only that one horizontal picture on the dresser. See more »
If a man stands in a forest, with no woman around, is he still wrong?
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I knew nothing about the plot when I rented this film. With Joaquin Phoenix, Jennifer Connelly and Mark Ruffalo starring in it, I figured it would be, at the very least, good, and it was. From the beginning scenes, a palpable tension is created; you just know something awful is about to happen despite two normal family outings being the subject matter. From then on, the plot reels out in an arc rife with too many coincidences, but the direction was able to pull it off without making me want to groan. There are some emotional scenes that would have played a little better had they been more subtle. The police officer and Mark Ruffalo were flawless. The children were outstanding. I'm not sure if it was Joaquin's character, the script, the direction or what, but he did not keep me riveted as he usually does; a bit over-acted perhaps. Jennifer delivered a couple of lines that didn't ring true--could have been an editing problem. The obsession of anger/justice seems a bit premature. It would have been better to see a progression. Despite my criticisms, I found enough mastery and depth of character to recommend it and give it a 7. I found myself worrying that the ending would ruin the film but it was faultless and convincing.
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