A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by
Kenneth Chisholm (email@example.com)
The atomic bomb the soldiers transport has a blast radius of 20 miles. Near the end of the film, the timer has five minutes of time remaining. The helicopter carrying Ford couldn't have traveled 20 miles in that time, nor could the boat travel that distance in that time in order to prevent the city from being hit by the blast. See more »
Dr. Serizawa? Jerry Boyd. Just to warn you, it's a mess. A total mess.
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In the IMAX version of the movie, when the IMAX logo appears, sounds from Godzilla can be heard instead of the usual music. See more »
Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra
Written by Gyorgy Ligeti
Performed by the Frankfurt Radio Symphony Orchestra conducted by Micheal Gielen & Bavaraian Radio Chorus conducted by Wolfgang Schubert
Courtesy of Wergo/Schott
By arrangement with Source/Q See more »
I really like this Godzilla movie. Granted it's not as good as the original 1954 version, Mothra vs Godzilla, the Heisei era flicks, or GMK but it's still good. The effects were amazing with everything conveying a strong sense of scale as all the monsters move slowly like larger than life forces. Also they made Godzilla a nigh- indestructible force of nature with his signature durability and atomic breath. Surprisingly the kaiju have lots of personality expressing moments of joy, love, despair, weariness, and wrath. In fact, I'm willing to look past the dull look of the MUTOs because they act like real animals and show so much emotion.
Yet as much as I enjoy the movie, there is the main downside everyone brings up: Godzilla doesn't show up enough. Granted there are lots of creature features that focus more on the humans like Jurassic Park, Aliens, Predator, and Jaws. However, those movies at least had characters that while neither the deepest or most complex, were at least likable and recognizable.
Here the main human characters are generic and lifeless. Aaron Taylor Johnson's performance as Ford is boring and lacks the stoic intensity of Arnold Schwarzenegger or Clint Eastwood. They could've made Ford have an angry grudge against Godzilla and the MUTOs that would clash with Sherizawa's respect for Godzilla. Ditto Elizabeth Olsen's Elle,she never seemed to show emotionally heartache or depressed concern for her patients or her family. Their bland characters would've had been so annoying had they not overshadowed Bryan Cranston's Joe and Ken Watanabe's Sherizawa.
If the creators are going to make another Godzilla flick, then they should either increase Godzilla's screen time or at the very least bring in better actors and create more memorable characters. That said,it's still a fun movie on its own merits and I'm looking forward to the sequel
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