As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Many times during the film in areas that are supposed to have suffered from an EMP strike there are still lights on. See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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The opening credits are a montage of Monarch documents and 1950s videos. All text on these documents are blacked out except for the names cast/crew members. The montage ends with a nuclear bomb going off, which causes a white-out in which the film title appears. See more »
This isn't the usual kind of disaster action movie. It's a bit more serious and the disaster scenes aren't rushed. It's better to see this on a big screen because some of it is in the dark or under dusky skies.
Effects are good not dizzying or overdone. The assorted monsters move naturally and are relatively realistic. The various locations from Japan to Hawaii are nicely done too though SanFrancisco could have been a bit brighter during the destruction. The Golden Gate and other landmarks aren't that precise but I get that things had to be spread out to accommodate the monsters.
The basic plot isn't needlessly complicated though I got a bit lost in the details with the tactics to kill the monsters and the nuclear link to the monsters. The story about the people is secondary to the monsters which is good as it doesn't intrude.
The main character played by a sensitive looking Aaron Taylor Johnson isn't some superhero type saving the day. He is more a in the thick of things observer which is refreshing for a change. No way out bravado here.
Elisabeth Olsen isn't a drop dead gorgeous love interest, more every day ordinary. Her screen time isn't that much. Bryan Cranston (why didn't he age?) and Juliette Binoche (who did her hair?) also lend solid support.
Ken Watanabe looks right for his part but his diction isn't clear enough for relaying the plot through dialog.
Overall it's a good solid and well made big screen action disaster monster movie that deserves a big screen watch.
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