As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by
Kenneth Chisholm (email@example.com)
Since he has the ability to breathe with both gills and lungs Godzilla is considered more of an amphibian then that of a true reptile. See more »
Captain Hampton informs Dr Serizawa that the nuclear warhead they would be using would have a yield of "megatons, not kilotons" and that by comparison the 1954 explosion to kill the MUTO would be like a firecracker. However, as shown in the film's intro, the 1954 explosion was the Castle Bravo nuclear test. This thermonuclear explosion had a yield of some 15 megatons, still the largest ever detonated by the U.S. The modern nuclear device would be the one small by comparison. See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
See more »
The IMAX intro for the film features Godzilla's roar. See more »
The Weathered Man
Written by Coltan Fisher, Jason Rabinowitz, James Katalbas, and Jaron Lamot
Performed by The Holy Bridge Orchestra
Courtesy of The Math Club
Under license by Music Asset Management, Inc. See more »
This isn't the usual kind of disaster action movie. It's a bit more serious and the disaster scenes aren't rushed. It's better to see this on a big screen because some of it is in the dark or under dusky skies.
Effects are good not dizzying or overdone. The assorted monsters move naturally and are relatively realistic. The various locations from Japan to Hawaii are nicely done too though SanFrancisco could have been a bit brighter during the destruction. The Golden Gate and other landmarks aren't that precise but I get that things had to be spread out to accommodate the monsters.
The basic plot isn't needlessly complicated though I got a bit lost in the details with the tactics to kill the monsters and the nuclear link to the monsters. The story about the people is secondary to the monsters which is good as it doesn't intrude.
The main character played by a sensitive looking Aaron Taylor Johnson isn't some superhero type saving the day. He is more a in the thick of things observer which is refreshing for a change. No way out bravado here.
Elisabeth Olsen isn't a drop dead gorgeous love interest, more every day ordinary. Her screen time isn't that much. Bryan Cranston (why didn't he age?) and Juliette Binoche (who did her hair?) also lend solid support.
Ken Watanabe looks right for his part but his diction isn't clear enough for relaying the plot through dialog.
Overall it's a good solid and well made big screen action disaster monster movie that deserves a big screen watch.
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