James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
To film the aerial dogfight, a "Snakehead" camera was built and placed on the nose and tail of a Piper Aerostar 700. SolidWorks, who provided the software used to design the camera, stated "pilots for the first time can fly as aggressively as they dare without sacrificing the drama of the shot." The camera could turn 360 degrees and was shaped like a periscope. The crew also mounted SpaceCams on helicopters, and placed cameras with 1600 mm lenses underground, to cover the action. Marc Forster wanted to film the plane fight as a homage to North by Northwest (1959), and chose planes like the Douglas DC-3 to suit that. See more »
James Bond is clearly not in Port-Au-Prince. The harbor is all wrong, there are no luxury hotels or home on the bay and the general conditions of the building are much better than in Haiti's capital. This was actually Colon, Panama, on the Atlantic coast. See more »
This film could have been so good, but Marc Forster's clichéd and ham-fisted direction completely ruined it for me. To be fair, his handling of the quieter moments between the action was adequate, but he clearly has no grasp of how direct action sequences, which are clearly central to any good Bond. I'm afraid the 'shake the camera and cut at least once a second' school of action direction doesn't really cut it.
It's tragic really, as the setup and the stunts for the sequences looked pretty promising, but you had to look pretty hard to tell once Mr. Forster's hopeless direction kicked in. Such a waste.
I think I'll hold out for the special edition DVD - you know - the non-directors cut!
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