Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Seth and Evan are best friends, inseparable, navigating the last weeks of high school. Usually shunned by the popular kids, Seth and Evan luck into an invitation to a party, and spend a long day, with the help of their nerdy friend Fogell, trying to score enough alcohol to lubricate the party and inebriate two girls, Jules and Becca, so they can kick-start their sex lives and go off to college with a summer full of experience and new skills. Their quest is complicated by Fogell's falling in with two inept cops who both slow and assist the plan. If they do get the liquor to the party, what then? Is sex the only rite of passage at hand? Written by
When Slater crashes the patrol car into the cement piling, we see the lightpole break off and hear it hit the ground yet in the very next frame the lightpole is back on the piling and is now just dropping sparks. See more »
Hey, man, I was doing some research for next year and I think I figured out which website I wanna subscribe to. The Vag-Tastic Voyage.
See more »
During the end credits, Seth's compulsive drawings appear in better detail. See more »
I enjoyed "The 40-Year-Old Virgin," but didn't feel it was entirely
worthy of all the enormous acclaim it garnered. And for all the praise
"Knocked Up" received, I thought it was fairly average. So I wasn't
expecting much from "Superbad." However, I'd have to say it's the
smartest and funniest Apatow film yet. I know he didn't direct it, but
his influence is distinct. And in the past I've felt indifferent
towards Apatow's brand of humour, but combined with Rogen's sensitivity
towards the teen condition here, it works really well.
People have compared it to John Hughes' better teen comedies, but I
don't think the approach is entirely similar. "Superbad" is cruder,
ruder, a bit more focused on the sex & alcohol jokes. But it works
really well because it captures that dynamic - better than "American
Pie" because it invests more care into its characters. One of the
strengths of "Pie" over other films in its genre (such as, say,
"Slackers") has always been its characters, and "Superbad" similarly
relies on its characters for support. Plus, it's just really funny.
The performances all around are pretty funny, even if the
Fogell/McLovin pop culture references are ruining a good joke (kind of
like "Yeah, baby!!" ruined Austin Powers when 20-year-old frat boys
around the country thought it would be funny to shout the phrase every
Jonah Hill and Michael Cera have great chemistry and another one of the
strengths of this film is that its teenage characters actually do look
their age (even though Hill is in his early 20s, he still passes as a
senior). But it was Bill Hader and Seth Rogen who stole the show for me
as the clueless cops.
Overall this is just a funny, well-made film with heart. It doesn't
mock its characters or their predicaments but casts a knowing eye on
the high school experience. It captures all this very well and was
certainly, in my opinion, far superior to "Knocked Up."
58 of 94 people found this review helpful.
Was this review helpful to you?