As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
When Mother Malkin, the queen of evil witches, escapes the pit she was imprisoned in by professional monster hunter Spook decades ago and kills his apprentice, he recruits young Tom, the seventh son of the seventh son, to help him.
At the turn of the century, the young lord Vlad and his family live a peaceful life ruling over their small kingdom, but when a Turk warlord demands from Vlad a thousand boys and his son to create an army Vlad seeks a terrible power that will allow him to protect his kingdom and family from the Turks at a terrible cost. Written by
The screenplay for this film was featured in the 2006 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
Vlad III was not known as Vlad the Impaler during his life, but was rather given the nickname posthumously. Therefore, he would never have been called this by anybody, as he is several times in this movie. See more »
It's not a child's place to save his country.
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Good Enough As Long As You Don't Think Of It As A Horror Film
I remember the 1992 version of Dracula by Francis Ford Coppola and thinking that the best part of that version was the anti-heroic Prince Vlad defending Europe against the Ottoman invasion . I do believe there is a market for a historical epic featuring the true life story of Vlad the impaler . This version from 2014 does come close to it in some ways but let's be honest and say no one is going to watch any movie with Dracula in the title unless it features a vampire in the title role and one wonders how many people might have been disappointed by the marketing if not the title alone ?
One group of people who will be bitterly disappointed will be Turks . While the Persians are still recovering from their portrayal in 300 and its sequel the Muslim Turks might have just been lured in to a sense of false security after MIDNIGHT EXPRESS but low and behold along comes DU . The Turks aren't painted in a good light and one wonders if there might be a rather dubious subtext when the Sultan demands a thousand boys for his army ? That said at least Vlad himself isn't a noble traditional type of nationalist hero and the film does show him struggling against internal dilemmas . It's not really an actors type of character driven cinema but Luke Evans is suitably brooding while best performance is Dominic Cooper as Mehmed who doesn't appear on screen often enough here and is probably the film's trump card
DU isn't a masterpiece and again it's very important that you go in to this film with the knowledge it's more of a dark sword and sorcery type tale rather than a horror movie . It wasn't until after I saw it that I found out Universal Pictures might be using it to do a reboot of their monster franchise from the 1930s and 40s which explains the ending that jars with the rest of the movie . Do we genuinely want another reboot series ? As it stands this version of Dracula is more than adequate and maybe we should let Eastern European vampires stay dead
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