A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
Colin's a sad-eyed British artist holed up in a rundown hotel in small-town Vermont after being dumped by his fiancée. The hotel owner plays matchmaker and introduces him to a local girl. ... See full summary »
A beautiful young single mother feels the pressure from the ex-pat Nigerian community to get married. Her precocious son has met his hero, a cynical English comic book writer and decides he... See full summary »
Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of today's ... See full summary »
Memoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son, and his ... See full summary »
The writer Blake Morrison has a non-resolved relationship with his bragger and wolf father Arthur Morrison. However, when he is diagnosed with a terminal intestine cancer, Blake leaves his wife and children and travel to the village where he spent his childhood and adolescence to help his mother and his sister to take care of Arthur along his last days. The location brings recollections of his problematic relationship with his father. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I'm astonished by the miserable so-and-sos above who complain about the "overdone production" on this movie.
Anand Tucker and his crew have taken obvious pains to elevate a conventional story into a visual tone poem. Every shot shines with polish, care, and attention. If it said "A Ridley Scott Movie" at the beginning, the reviews would read "Scott brings his usual visual excellence to bear."
A terrific little movie, elevated out of its class, with nice performances (I especially enjoyed the underused Gina McKee, who is practically luminous in every scene).
Now, the rest of you get back to watching and praising the drab and visually tedious kitchen sink junk that the British film industry does "so" well...
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