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THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. THE PERVERT'S GUIDE TO CINEMA cuts its cloth from the very world of the movies it discusses; by shooting at original locations and from replica sets it creates the uncanny illusion that Zizek is speaking from 'within' the films themselves. Together the three parts construct a compelling dialectic of ideas. Described by The Times in London as 'the woman helming this Freudian inquest,' director ... Written by
P Guide Ltd.
Bear in mind, any film (let alone documentary) which asserts any kind
of truth, will generate an adverse and proportional amount of cynicism,
from those to whom any suggestion of and or search for truths is
already meaningless, those of you who are already Masters of
psychology, film, and captains of the soul, will no doubt find this
movie redundant, after all, you already know everything there is to
For those of us in the minority like myself, I found "The Perverts
Guide To Cinmea"....mostly brilliant, and worth watching for those
interested in movies, psychology, and modern philosophy.
A little like Scott Mclouds' "Understanding Comics", director Sophie
Fiennes, inter-grates Slovene philosopher, psychologist, and social
critic Slavoj Zizek right into many of the films and specif scenes he
discusses. The cover is an image from "The Birds"(Zizek takes a boat
out to re-create the shot).
Lacanian Psycho-analysis, does not necessarily scream, an evening of
great fun...but it is! If you like movies that is.... Having some
knowledge of Lacanian psycho-analysis helps (Symbolic, Real, and
Imaginary) are terms which get thrown around a little loosely at first,
but the scenes which Zizek selects and analyze make remarkably clear
what was always for me, a very abstract subject. In fact, it's probably
better to have a familiarity with the films he's discussing than with
the terminology he uses, which becomes clearer as the film goes on.
Why I love, this film isn't because it picks great films to analyze or
reveals great truths about Lacan, but shows in a very practical and
clever manner, where film and psychology (and by default philosophy)
Why is "The Sound Of Music" kinda fascistic, why is "Short Cuts" about
more than just class and alienation, why do the birds attack in "The
Birds", what is there to learn about the mind from "Alien
Resurrection", what does the planet of "Solaris" want, what does
"Psycho" and "The Marx Brothers" have to do with each other, and what
the hell is David Lynch getting across in movie after movie...well
Zizek has some ideas.
The role of the voice in both "The Excorcist" and "Star Wars: Revenge
Of The Sith", is maybe the movies strongest and most lucid moment, when
he gets into feminine sexual subjectivity I begin to wonder...at one
point Zizek admits his feeling that flowers are a kind of decorative
vagina dentatta, that they are disgusting and should be hidden from
children (jokingly, it seems but...).
Anyway, it's a fascinating documentary, which anyone who has ever seen
a movie, and thought it meant something more than was literally stated,
should make an attempt to see.
And anyone interested in Slavoj Zizek, this is a must as well, much
less dry than "Reality Of The Virtual", and more direct than "Zizek!",
two other pseudo-docs, about "the Elvis of contemporary cultural
criticism", as he is being dubbed, in the English speaking world.
"The Perverts Guide To Cinema" is NOT about the role of sex in cinema.
Zizek claims cinema is the ultimate pervert art, because it teaches
"how to desire, and not what to desire", and that it is the only
contemporary art form that can allow for these desires to be
articulated. This is not a film about finding the reality in cinema,
it's about finding the cinema in reality, and how important and
exciting that can be. Hard to find, and a bit long, but well worth the
trouble, one of the most "stimulating" movie watching experiences I've
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