Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
Having recently lost her sight, Ingrid retreats to the safety of her home - a place where she can feel in control, alone with her husband and her thoughts. But Ingrid's real problems lie ... See full summary »
Ellen Dorrit Petersen,
When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
Where are us humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
Bengt C.W. Carlsson
A businessman goes home during the working day to change his trousers having spilled coffee on himself. When he arrives in the underground garage below his apartment block he finds a car on... See full summary »
This film is intellectual without being arrogant, hip and stylish without being pretentious, and brimming with youth and energy without being juvenile.
On a simplistic level, the film can be described as a coming of age story about two Oslo twenty-somethings who are writers. The scenes when they are hanging out with their friends contain witty, realistic dialogue and interactions. But this is a very rich, complex film. A unique, fresh narrative structure, depth of emotion, brilliant character development, beautiful photography, and terrific acting- this is really a film that has nothing simplistic about it. At times incisively funny, at other times angst ridden and sad, the film takes the viewer through the gamut of emotions experienced by the characters.
I didn't always know where the story or characters were going (I don't think the characters themselves did), but the director/writer was always in charge and confidently in control of every frame, yet not manipulative; I was a very satisfied viewer when the credits rolled and loud applause broke out in the audience at the Museum of Modern Art in New York City.
Keep your eye on Joachim Trier- he's going places.
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