| Videos (see all 3) |
| Rachel Miner | ... | Betty | |
| Christian Kane | ... | Billy | |
| Polly Shannon | ... | Jenny | |
| Beth Grant | ... | Candy | |
| Alex Sarian | ... | Good old boy | |
| rest of cast listed alphabetically: | |||
| Jose Luis Caamano | ... | Young Billy | |
| Miranda Gnida | ... | Young Jenny | |
| Pablo Padilla | ... | Cort | |
Directed by | |||
| K.C. Bascombe | |||
Writing credits(in alphabetical order) | ||
| Greg Rosati | writer | |
Produced by | |||
| Verónica Cura | .... | line producer | |
| Charles O'Brien | .... | line producer | |
| Nick Seferian | .... | executive producer | |
| Nick Seferian | .... | producer | |
Original Music by | |||
| Juan Ignacio Bouscayrol | |||
Cinematography by | |||
| Pablo Schverdfinger | |||
Film Editing by | |||
| Eliane Katz | |||
Casting by | |||
| Lindsay Chag | |||
Art Direction by | |||
| Marcela Bazzano | |||
Costume Design by | |||
| Ruth Fischerman | |||
Makeup Department | |||
| Alberto Schuster | .... | key makeup artist | |
Production Management | |||
| Verónica Cura | .... | production manager | |
| Juan Pablo Miller | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Magdalena Cernadas | .... | first assistant director | |
| Bruno Hernandez | .... | first assistant director | |
| Roberto Matarazzo | .... | third assistant director | |
Art Department | |||
| Fernando Brun | .... | set dresser | |
| Lila Caramagna | .... | set dresser | |
| Eduardo Gonet | .... | storyboard artist | |
| Jorge Mondello | .... | property master | |
Sound Department | |||
| José Caldararo | .... | boom operator | |
| Vicente D'Elia | .... | foley mixer | |
| Leandro de Loredo | .... | sound designer | |
| Bill Devine | .... | adr recordist | |
| Diego Gat | .... | sound re-recording mixer | |
| Esteban Golubicki | .... | sound editor | |
| Martin Litmanovich | .... | foley recordist | |
| Martín Montrasi | .... | sound re-recording mixer | |
| Francisco Rizzi | .... | sound re-recording mixer | |
| Sebastián Sonzogni | .... | sound recordist | |
| Eduardo Vaisman | .... | foley editor | |
Special Effects by | |||
| Federico Cueva | .... | special effects supervisor | |
| Martín Del Río | .... | special effects coordinator | |
| Marcelo Firmano | .... | special effects coordinator | |
Visual Effects by | |||
| Ignacio Gorfinkiel | .... | visual effects supervisor | |
| Trajano Leydet | .... | digital compositor | |
| Esteban Orlandi | .... | digital artist | |
Stunts | |||
| Carla Benítez | .... | stunts | |
| Federico Cueva | .... | stunt supervisor | |
| Martín Del Río | .... | stunt coordinator | |
| Marcelo Firmano | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dario Berman | .... | still photographer | |
| Aníbal Cattaneo | .... | key grip | |
| Daniel Ciurleo | .... | gaffer | |
| Ignacio José Natiello | .... | second assistant camera (as Ignacio Natiello) | |
| Mariano Pariz | .... | focus puller | |
| Agustín Roca | .... | chief electrician | |
| Rafael Sahade | .... | steadicam operator | |
| Pablo Schverdfinger | .... | camera operator | |
| Karina Suárez | .... | still photographer | |
Costume and Wardrobe Department | |||
| Soledad Cancela | .... | wardrobe | |
| Pilar Gonzalez | .... | costume trainee | |
| Fernanda Molfese | .... | costume assistant | |
Editorial Department | |||
| Ignacio Gorfinkiel | .... | on-line supervisor | |
| Agustin Goya | .... | on-line editor | |
| Matías Kamijo | .... | colorist | |
| Ileana Novas | .... | post-production coordinator | |
| Luisina Rampoldi | .... | assistant editor | |
| Recent Posts (updated daily) | User |
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| Music | cherrygirl1987 |
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| Full cast and crew | Company credits | External reviews |
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In 1994, while working as a waiter in a trendy Hollywood restaurant, aspiring filmmaker K.C. Bascombe was retrieving a frozen dish from the walk-in freezer, when the place was raided and shut down by the city of Los Angeles, after apparently making the mistake of serving Barbara Streisand her main entrée before she was finished with the teaser. (Babs hates that.)
Accidentally locked in the freezer, he's trapped in a state of suspended animation for fourteen long years. Miraculously, when K.C. is thawed out, he's still alive and full of movie ideas.
After a quickie lawsuit against the city, he obtains the funds to finance the quintessential early-nineties independent film, the story of a murderous, philosophical dirt-bag who take off in his 1960's convertible, on a nicotine fueled crime-spree across the truck-stops and greasy-spoon diners of the southwest, with his loud, over-sexed hick girlfriend, who likes to shout, "You sweet on me!" to greasy, fat rednecks before flipping out and offing them.
The problem with KC's script was that time had passed him bye. His ideas, that were once so hip and fresh, had been squeezed of all their potential in the years that he'd been away.
At his wits end, he summoned the help of others, writers more experienced in the modern ways of screen-writing. Those men helped KC a lot, introducing new concepts to the hopelessly behind-the-times filmmaker, modern concepts like having no real action or suspense in the film and adding mindless torture in order to give pimply-faced geeks a chubby.
With the screenplay finished, KC was quite excited. He immediately suggested to the casting director that the two leads should be filled by Woody Harrelson (that funny guy from "Cheers") and Juliette Lewis (whom he loved in Kalifornia), only to be nervously told that those two already made a film together and besides, they're both a bit too old these days. After all, it's been fourteen years!
KC then suggested Christian Slater and Patricia Arquette, prompting the casting director to quit.
With no famous actors in the leading roles, KC soldiered forward with an actor and actress who mimicked Woody and Juliette quite nicely, filming his movie, which he called Hide, and eventually releasing it on DVD.
"What's a DVB?", asked KC, who's last memories of home video were of 1994, videocassettes, and Blockbuster Video.
"It's called a DV-D.", replied the distributor. "It's like a tiny laser-disc!"
And so it was released, prompting sarcastic a--holes like myself much merriment, as it was just too derivative of about a million other movies (Wild At Heart, Kalifornia, True Romance, Pulp Fiction, Natural Born Killers, The Road Killers, Love And A .45, Freeway) from the early to mid-nineties.
However, it's mindless scenes of torture, as well as it's excessive heavy-petting, did give pimply-faced geeks across America plenty of Chubbies!
THE END